Showing posts with label Katie Parrish. Show all posts
Showing posts with label Katie Parrish. Show all posts

Friday, March 29, 2013

Paper Trail


Pretty much everything Darian Zam posts on Long White Kid is fascinating to me and in many cases tangentially related to New Zealand cartooning. This recent post on establishing dates for a set of cards showcases some beautiful work done for the Four Square Supermarket chain.


 
Paintings of Garrick Tremain.



Lemuel Lyes writes about George Patrick Hanna.

The New Zealand unofficial cartoonist (Lieutenant G. Pat Hanna) enlivens the walls of the officers club. Royal New Zealand Returned and Services’ Association : New Zealand official negatives, World War 1914-1918. Ref: 1/2-012806-G. Alexander Turnbull Library, Wellington, New Zealand. http://natlib.govt.nz/records/22606412

 
 Katie Parrish.

 
Bob hates Captain Sunshine!


A favourite of my mispent youth, David Tulloch and Simon Morse's Straitjacket Ninja.



The massive 230 page anthology Blood and Thunder #2 is three-fifths of the way to its Pozible campaign target with six days to go. Still time to get on board what is likely to be the most beautiful risograph produced publication this year. Pozible here.


Michael Hawkins previews part of his 22 page contribution to Blood and Thunder #2.


The New Zealand Roz Chast? MVH still spilling sardonic wit all over tumblr.

  
Paul Briske writes about Oz Comic Con Adelaide 2013



Allan Holtz writes about the syndicated work of Australian cartoonist Allan "Sols" Salisbury.



Zen Pencils in Russian.


Clementine Hetherington walks into a place that closely resembles Pikitia Press central.


Paul Mason writes about the Adelaide and Perth Oz Comic Cons.


Angelo Madrid's Freedom too Offend.


Desktop interviews Reg Mombassa.


Pat Oliphant to be honored at AAEC convention in Salt Lake City.


Emmett O'Cuana interviews Emma Jean.


The Knowledge Club of Melbourne are heading to Squishface Studios.


Six page preview of Jason Paulos' EEEK! #8
 


A recent CBLDF article that made the rounds of comics link bloggers pulled some of the best bits from an article on censorship in Australian comics by Daniel Best. Read the more detailed original here.

  
Paper Trail masthead courtesy of Toby Morris.

Wednesday, December 19, 2012

2012 in Review: Michael Hawkins

Michael Hawkins

What have been your personal cartooning/comics highlights of 2012?

My comic highlights this year were threefold.  Mid year I went to the states and Canada on a comics tour, met heaps of awesome talent like Pat Aulisio, Lale Westvind, Conor Stechschulte, Mollie O’Brien and others whose amazing work I was previously ignorant of. Second highlight would be watching the rising star of my good buddy and favourite cartoonist ever Simon Hanselmann. Thirdly meeting on a weekly basis with a steady group of drawing buds (Sam Wallman, Marc Pearson, Elliot Lamb and so forth) has made a great difference to my quality of life.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

 
Best books? All of the above people. Also locally Grant Gronewald (HTML Flowers) and Katie Parrish and overseas Michael Deforge, Patrick Kyle, Leslie Stein and Derek Ballard. Seems to be a lot of people working at a peek level of inspiration and producing things in individual styles that seem extreme in their newness. Find it easy to point to a general vibe than individual books.


What is something non-comics that you have enjoyed in 2012?


Massively into Dennis Potter at the moment, starting with the Singing Detective and working through all his series and teleplays. Best book I read was We have Always Lived in the Castle by Shirley Jackson. Favourite five songs this year: My Time by Roberto Cacciapaglia & Ann Steel, In High Places by  Mike Oldfield, A Matter of Trust by Billy Joel, Myth by Beach House, Pyramids by Frank Ocean.


Have you implemented any significant changes to your working methods this year?

 
Swapped from photocopying to digital printing. Started a Tumblr. Also used to try and have one major comics series or project on the go at once, this year decided to just start a bunch and let them vie for my attention.


What are you looking forward to in 2013?

 
Organising an erotic art show with some of my favourite local cartoonists. Hopefully going to Brooklyn Comics and Graphics Festival.