Showing posts with label bruce mutard. Show all posts
Showing posts with label bruce mutard. Show all posts

Sunday, December 16, 2012

2012 in Review: Bruce Mutard Part Two


What is something non-comics that you have enjoyed in 2012?

Crikey, I've been away so much that I've seen hardly any movies on the big screen and not a huge amount on the box, either. Anyone who's seen my DVD collection knows I'm a huge movie fan.  OKay, like so many others, I got tuned into the Game of Thrones show and it is fabulous, though I have reservations about all the women being either vixens or whores. The books are great, too. I also decided to follow up on the fuss over the Hunger Games and it was a cracking read - great positive female protagonist who has the awkwardness of a teenager still within her. The film version was quite good, but I can understand why it couldn't be so brutal as the book.

2012 was the year of the popular series, so I've also taken to Stieg Larsson. The books are great reads, though again, for someone who professes to be so caring about women's rights and anti sex-trafficking, Larsson does give undue detail about his female characters sex lives and his male protagonist is a middle-aged unremarkable bloke who seems to have a lot of women hot for him. If you're going to watch it on film, watch the Swedish original TV series version with Noomi Rapace - the cinema forms were cut down from these. Blindingly good thrillers. The big Hollywood version was alright, but sort of unnecessary. Sticking with Sweden - one of the best vampire films I've seen is 'Let The Right One In'. So… Swedish, but so in tune with alienated kids. Powerful. 

I also have become a fan of Once Upon A Time series. Very good mash of all the old fairy tales with twin storylines weaving in and out of storybook and storybook. It's never twee, quite intelligent and the original back-stories to some of the Grimm characters is often pretty insightful. 

Of course, Homeland was a ball-tearer. As was Boardwalk Empire (which I still haven't finished). Australian shows worth a look were things like Rake, Redfern Now (though at times self conscious), Howzat! We have a ton of cinematic talent in this country and too few opportunities to make good use fo them. 

Okay - a big plug  for Dan Hayward's This is Roller Derby as well. Really caught the essential spirit of this girls only grass roots sport. I love their 'fuck you' attitude. Get the DVD.

And another for my dear friend Mira Bartok's 'The Memory Palace' book - how such an upbringing could produce such a lovely person as her and her sister, proves there is far more to nature than nurture. Their mother was clearly a brilliant mind hijacked by schizophrenia. Turns out their mother was a huge fan of comics too, only she never let on. 

Of course, travelling a lot allowed me to see a huge amount of art and architecture that I've only ever seen in books. By far and away the best major art museum that I've seen so far is the Prado in Madrid - gosh, you only have to walk into the room with Goya' Night Pictures to realise what heights art can attain. The Prado is blessed with huge collections of two of the best painters who ever lived in Goya and Velaquez, who were both Spaniard and court painters, so I guess the Prado being made of the royal collection, they had an advantage. But it also has Bosch' 'Garden Of Earthly Delights' which is something any art lover has to see in the original.

Whilst in town, see the Thyssen-Borezma collection of modern art which is one of the very best I've seen. Also saw a lovely retrospective of Odilon Redon whilst in town. Picasso' Guernica is also worth the pilgrimage. Seeing Duchamp' collection at the Philadephia Museum of Fine Art was amazing. I paid my repsects to 'The Large Glass' at last. The Barnes collection in the same city is amazing though way too much of Renoir, whom I have no time for his endless soft porn pics of pudgy women and twee kids.

Barcelona - the famous uncompleted Gaudi cathedral - it is truly, truly breathtaking - a work of astonishing beauty. But the 12th C El Sur cathedral is also gob-smacking beautiful - I'm never short of being astonished at what medieval craftsmen could achieve. And the Guggenheim museum in Bilbao lives up to and exceeds all expectations. But Bilbao itself is more than this museum too. I did see Leonardo' 'Last Supper'  in Milan, too; yes, it is quite remarkable and more so how it survived the rest of the building being leveled in WW2. I could go on and on. Shows - saw a a few of them, too. 'A Funny Thing Happened on the Way to the Forum" with Geoffrey Rush was fabulous. I'll stop now. 

Have you implemented any significant changes to your working methods this year? 

Well, if by that you mean I have spent waayyy too much time traveling, doing shows, conferences, organising events and not enough at the drawing board, then you'd count that as a change. It's one I welcome, but I have to scale back. I have a book to do and in answer to my most FAQ: yes, the Fight is on the way but not due out until April 2015. In terms of working methodology, yes things are changing all the time. I write more with pictures these days than with words - akin to my core thesis of what comics are. 

What are you looking forward to in 2013?

Gosh where to start again?

Um… well, clearly the Caravan part 2 heading to TCAF in May. I wil also be presenting at the International Comic Arts Forum in POrtland,OR, that same month. I will be hanging around stateside for a while and then heading to Italy to break the back of my Masters thesis project - a comic installation for a gallery exhibition.

Then the SPXO show in September - another Caravan style trip to showcase Australian and NZ art to the Yanks. It'll be something special and anyone who wants in, can come. Some funding will be available.

The Canberra residency.

Assuming and making use of my appointment as the holder of the Australian Society of Authors Comics and Graphic Novels portfolio. I have plans for this to take representation and the Australian industry to a new level.

Producing lots of comics somehow amidst all this. More events. more everything. Maybe find love too.

2012 in Review: Bruce Mutard Part One

 Bruce Mutard

What have been your personal cartooning/comics highlights of 2012?

Where can I start with this?

Bologna Childrens Book Fair - 15 times the size of Supageddacon and vastly more interesting. You'll never see such a concentration of illustration talent from all over the world. Amazing. I plan to create an Australian comics showcase to go there in 2014.

Meeting Robert and Aline Crumb at the opening of his retrospective in Paris.
Presenting papers on comics at University of Arts, London; Mansfield College, Oxford; Loughborough University.

Attending the SPXO, which was basically Artists Alley made up only of comics and about the size of Supageddacon. Amazing.

Meeting Chris Ware, Charles Burns, Dan Clowes, Adrian Tomine, Los Bros Hernandez and Francoise Mouly at SPXO. Okay, so I'm a fame junkie. Sue me.

Winning an Australia Council grant to produce the Fight in 2013-14.

Winning an Australia Council grant to take Caravan of Comics to TCAF in 2014.

The Graphic Novels Melbourne Filming process and premiere - even if I did look like a sad sack at the end. Adam Sandler will have to play me in the fictional version of my life.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

Mirranda Burton - her book 'Hidden' is brilliant and she has some exciting projects up her sleeve. 

Jesca Marisa is a Sth African expat who now lives in NZ. I met her at Sydney Supanova. She has a book called Awakenings that is ravishingly beautiful to look at. She is also an animator whose films are equally good. I am reminded of Miyazaki. She has work to do on her storytelling, but she'll go far I'm sure. She'll be at Big Arse 3 to launch her book in Melbourne. 

Lisbeth Russell, known by her stage name Black Betty, I met at Perth Supanova, is an ex-pat Dane who is a cartoonist, designer, burlesque artist and model for off-mainstream fashion and photographers. She's in Perth and has become a really good friend of mine. Talent to burn. 

 Marijka Gooding is a recent graduate graphic designer I met at a talk I gave at Monash Uni, whereupon it seemed clear she had a very strong interest in comix. I caught up with her later in the year when I recommended her as a designer to Milk Shadow Books and 12 Panels Press. She will also do the design work on books I am publishing  - under Fabliaux imprint. She wrote and drew a comic, Strange Behaviour for her Honours thesis and it is an amazingly accomplished book notwithstanding the fact it's her first. The book's not up on her site unfortunately. 

Badaude (real name Joanna Walsh), whom I met as a consequence of sharing a panel at the Melbourne Writers Festival. A writer/illustrator of observation and life. I still haven't seen her book though one was meant to be sent to me. Interesting woman though I wouldn't say we hit it off in any brilliant way. Worth a look though. 

Caitlin Pesky of Pesky Studios. Met her as a consequence of being invited to participate in an exhibition she organised for the Fringe Festival called This Is Melbourne. She worked in the rag trade (desiging the anonymous images that go on all the clothes for chain stores like Target and Kmart). She has moved out of it to become an illustrator and artist who can at last sign her name to her work. 

Serena Geddes - whom I met in Bologna, is a very talented and lovely woman who is primarily a picture book illustrator. 

Lesley Vamos - another I met in Bologna, coming from an animation background and now does primarily picture books and some comics. Incredibly fast and reminds me a lot of Doug Holgate in style. You should see her go when she is sketching for food… whooboy.  

And check out Dan Drobik who just emailed me for advice. Just graduated from Monash fine art, too. Referred to by a good friend of mine who was a fellow student and orthodox Jewish grandmother (not kidding). She wants Dan to go on the straight and narrow. What, and waste a good filthy mind like this? http://creativelydisappointing.tumblr.com/

Tamryn Louise - another ex pat Saffa, whom I've not met, but put onto by Jesca and Neville. 

Also, the poster artist for This is Roller Derby, Dave um… forgot his surname. Gosh this bloke is better than good. He even digitally paints using a mouse! NO!

Tuesday, December 11, 2012

2012 in Review: Philip Bentley

Phillip Bentley's Word Balloons - Australian Magazine of the Graphic Story Arts

What have been your personal cartooning/comics highlights of 2012?

The “Station Wagon of Comics” mini tour to Adelaide with Bruce Mutard. Met up with a host of comic types including some I hadn’t seen in 20+ years like Darrel Merritt, Dave Hodson and Brendan Boyd, and some I met for the first time like Greg Holfeld and Dave Follett. Unfortunately comic fans were significant by their absence at the Adelaide Supanova.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?


Greg Holfeld, in particular his Captain Congo books written by Ruth Starke. Although technically children’s books they seem to have all ages appeal to me much like Tintin. They are amusingly written and lavishly drawn.

What is something non-comics that you have enjoyed in 2012?


City of Vice DVD: a BBC drama series showcasing the seamier side of London in the 18th Century. Too strong for our sets apparently.

What are you looking forward to in 2013?


Big Arse III.


Monday, December 3, 2012

2012 in Review: Jason Franks

Over December I'll be running some brief year in review interviews with Australian and New Zealand cartoonists and comic folk. Kicking things off today with a good friend of mine, Melbourne writer/cartoonist Jason Franks.

Jason Franks

What have been your personal cartooning/comics highlights of 2012?

Without question, the highlight for my own work has been McBLACK TWO SHOT. It's not the first time I've worked with Bruce Mutard but it's the first of our work together that's seen print. Putting his highly polished and traditional art style next to Luke Pickett's brilliant crayon-and-notepad sequence, then Rhys James' super-modern digital painting and J. Stew's atmospheric, underground nightmares... I am ridiculously proud of this combination of artists.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

This year has been all about Image for me. I've been mates with Justin Jordan for many years, so Luther Strode probably doesn't count, but a lot of my favourite new mainstream books have been Image stablemates. Green Wake by Wiebe and Rossmo. Who Is Jake Ellis? by Edmondson and Zonjic. Also this is the year I finally cottoned onto Locke and Key by Hill and Rodriguez.

My other big find has been Naoki Urasawa. I tried Pluto a couple of years ago and it wasn't my cup of tea; but this year I discovered that three of the manga books I was most interested in (old and new) are by Urasawa. Monster and 20th Century Boys are every bit as good as they are reputed to be, and I'm dying to get my hands of an English version of Billy Bat.

What is something non-comics that you have enjoyed this year?

I've probably found myself reading more prose than I have for the last few years. This year it's been a lot of Richard Morgan, John Steinbeck, Greg Palast, Evan Wright, China Mieville and Richard Stark. Some of these are old favourites, some are something new. On TV the only thing I've really cared for has been Breaking Bad.

Have you implemented any significant changes to your working methods this year?

I'm trying to put out a bit more prose fiction than I have in the last few years. Publishing my first novel has sort of opened my eyes to the opportunities in that world and the comics business is a bit sickly right now. I mean, when using Kickstarter to avoid the entire traditional marketplace is the great white hope for original comics you know there are problems. That said, I have a LOT of comics projects in the works and hopefully a lot more of them will drop in 2013 than we've seen in the last 2 years. I'm focusing on longer work--graphic novels and miniseries, as opposed to short stories and anthologies--and it takes a lot of time to get these bigger projects up and running.

What are you looking forward to in 2013?

Putting out more comics. There should be more McBlack and more Sixsmiths, but also, if things go well, a bunch of completely new stuff in a variety of genres. Hope to sell my second novel, too. I'm also looking forward to watching the continued growth of the local scene and to reading awesome new comics from local publishers. 

Tuesday, April 17, 2012

Milk Shadow Books - James Andre Interview

I'll be posting some catch up interviews over the next weeks that were conducted via email and in person over the last several months.

The following interview was conducted via email in February 2012 in anticipation of the Big Arse 2 launch which included several titles from Milk Shadow Books. I've known James Andre for a few years from contributing to his anthology Yuck and following his progress self-publishing his own writing to becoming a significant independent comics publisher in the Melbourne scene. James's tastes in comics and writing are reflected in the output of Milk Shadow Books with an emphasis on matter of a dark nature, perversity, black humour and adult themes.

 James Andre

What was the impetus to start publishing other people's work through Milk Shadow Books?

When issue 5 and 6 of Yuck! were about to come out I thought we should take on some more titles as we were already distributing comics and zines anyway. Then I recalled Ben Hutchings saying how he almost had You Stink 10 ready, so we got into contact with him. Walking to Japan was the first creator owned work we published though. That went quite well, so we took things from there.

 No Map, But Not Lost - Bobby N (2012)

Have you experienced any start up difficulties as a publisher?

Apart from the usual time and cash flow stuff, nothing major. More just little details that turn into larger issues. And needing to keep track of several projects in various stages. Having to make sure certain pages/changes to one book are completed, whilst remembering edits on another one, that a cover is being done on another, and then making sure the printers are working on another. But all of the artists have been great, and some other local comic folks such as Brendan Halyday, Luke Pickett, and Jason Franks have provided much needed creative and technical support along the way too.

Where will your new books be available from after the Big Arse 2 launch?

They'll be on the website – www.milkshadowbooks.com. Comic shops such as All Star Comics, Minotaur, Pulp Fiction Comics, Impact Comics and The Beguiling. The trade paperbacks and graphic novels will also be available on Amazon, and through the Ingram catalogue for bookshops. If anybody wants them stocked in their local book or comic shop, they can bug them to place an order.

 You Stink and I Don't #10 - Ben Hutchings (2012)


Melbourne has seen a few publishers specialising in comics established in recent years, where do you see Milk Shadow's place in the scene?

I guess we focus mainly on surreal black comedy stuff. A lot of the work involves parodies and examinations of media, religion, sex, death and modern life. The feel of the material seems to have sprung out of the Yuck! Anthology series. We don't really have a huge interest in superhero or genre material, but would still have a look if it was submitted. Milk Shadow Books publishes art that can take the piss out of society, work that make people laugh and/or think. Or just gross them out.

It Shines and Shakes and Laughs - Tim Molloy (2012)

Bobby N, Bruce Mutard's and Tim Molloy's books are retrospective collections, will you be producing similar collections of other creators?

We'd like to, and we've got some more plans floating about at the moment. There's the possibility of a couple more small colour art books too, similar to the Sweat Soda book that featured David DeGrand's art. But yeah, we'd love to do more collections if the right artist approached us, or we spotted them first.

What do you have planned for the future?

In terms of graphic novels, we've got Bruce Mutard's Alice in Nomansland lined up. It's a very strange, yet literate, adult fantasy trip that's been in Bruce's cupboard for ten years, and it's unlike anything he's previously published. There's also a new collection from Tim Molloy, but more on that as it develops. Plus some more indie projects in the works from artists from Melbourne, Sydney, Brazil and Brisbane. Expanding out into action figures, art exhibitions and animated series would be nice one day too. That's the dream anyway.

All images copyright 2012 respective authors, James Andre photo copyright 2012 M.Emery