Showing posts with label milk shadow books. Show all posts
Showing posts with label milk shadow books. Show all posts

Tuesday, July 3, 2012

Oz Comic-Con Melbourne 2012

The Inaugural Melbourne Oz Comic Con was plagued with issues, mainly stemming from the overselling of tickets, creating an overcrowded Exhibition Centre with many ticket holders locked out while entry was temporarily closed on both days to ease congestion.

The OZ Comic Con facebook page was rife with negative feedback over the weekend from many disappointed punters. Negative comments were going up faster than Oz Comic Con could delete them with threads reaching at some points 400-500 comments.

The news wasn't all bad though. Many punters enjoyed the show and appreciated the rare opportunity to meet pop culture icons and made their thoughts known online. Also every guest and creator in artist alley I've heard from have reported positively about their Oz Comic Con experience with the general impression being this convention attracted more comic readers in contrast to other pop culture events. Perth publisher Gestalt Comics sold out of three of their titles, with James Brouwer and Tom Taylor's The Deep: Here Be Dragons marking three weeks of sellouts after the Sydney and Perth Supanovas. There was also a substantial turn out of comic dealers and stores hosting booths with several out of state appearances and swarms of people actively digging through long-boxes.

Hopefully the negative publicity of this convention will not effect future Oz-cons. I'm certain the organisers have taken these teething problems on-board and will be better prepared in future. In the last few years the amount of good local comics being produced has vastly increased and conventions like this are the perfect place for them to find an audience.

David Holloway writes about the Oz-comic con here.
Bobby N has a round up and photos here.
ABC footage here.
YBNews blog post here.
Sky news video here.
Herald Sun story.

Saturday, June 2, 2012

Paper Trail

The Caravan of Comics yoinked from caravan of comics.

The Caravan of Comics cartoonists have completed their jaunt around American and Canadian comic events. David Blumenstein recaps their adventures here and Matt Taylor writes about the caravan here.


Melbourne Publisher of fine comic books, Milk Shadow Books, have announced a book of Fil Barlow's Zooniverse on their publishing slate. Barlow has been regularly producing animations for the monthly loopdeloop animation challenge, Have a look at his work here.

 Mr Unpronounceable Copyright 2012 Tim Molloy

Tim Molloy has teased an image from his follow up to his first book with Milk Shadow Books, It shines, It Shakes And Laughs. Molloy's new book will collect previously published Mr Unpronounceable Adventures and feature new material.


Dylan Horrocks is the featured cartoonist on Comic Strip Tees with a character, Alice Brown, from his current web serial The Magic Pen. In a recent blog Horrocks noted Alice Brown would be a featured character in books two and three of The Magic Pen trilogy. I'm not sure but I think this is the first he has mentioned of The Magic Pen being a trilogy. Eagle-eyed comic fans will recall this Alice Brown image featuring in Dunedin anthology Dud a couple years ago. Comic Strip Tees are only available for a month so order yours now.


Colin Wilson is featured on episode ten from series two of The Living Room.

Khulan copyright 2012 Katie Houghton-Ward

Katie Houghton-Ward has teased an image from an upcoming installment of her series Khulan. Khulan debuted in the July 2011 issue of Heavy Metal with inks by Simon Morse. Morse commented this was likely his last comic work before fully going full-time in the tattoo world.

 
A new publisher in New Zealand, Faction Comics, are producing an anthology and are looking for contributors here.

Sunday, September 4, 2011

Bits and Pieces

Comic writer and Milk Shadow Books maestro James Andre teams up with Ben Smith for a reading at The Bendigo Hotel in Collingwood, Melbourne this month. This is the first part of a series of readings of lower brow literature put on by Horror Sleaze Trash. Snazzy poster by Jase Harper.


An upcoming Melbourne Exhibition of works by Tim Molloy


Katie Houghton Ward talks about her work from Wellington, NZ


Click here for an Mp3 of Jim Woodring's recent talk at the Melbourne Writer's Festival. Link Expires 10 Sept 2011.


 Panel from Jim Woodring's contribution to the Drawn From Life free Newspaper produced for the Melbourne Writer's Festival 2011

A preview of Illustrator and political cartoonist Chris Grosz's graphic novel adaption of Kimble Bent: Malcontent adapted from James Cowan's novel. For those with short attention spans comics start around the 2.00 mark.




From Random House's release:

Kimble Bent: Malcontent vividly portrays Bent's life as a Pakeha Maori, his assimilation into tribal life and his observation of Hauhau war rites. Bent was privy to some of the fiercest and most infamous battles of the New Zealand wars, including Te Ngutu o te Manu and Tauranga-ika, and was acquainted with some of its most legendary personalities, such as master strategist Titokowaru and pacifist Te Whiti. He was there when von Tempsky was slain, and ran for his life with the Hauhau from Kepa's formidable kupapa forces.

Rendered in scraperboard, a bold black and white hand-drawn style, this exhilarating graphic novel is based on James Cowan's original book published in 1911, The Adventures of Kimble Bent.




Bernard Caleo and Jo Waite will be presenting a tribute to Tintin as part of the Melbourne Fringe Festival 2011. Composed of a Tintinesque paper diorama by Jo with imagined Tintin panels by other cartoonists floating over the landscape like hot air balloons. To see this collaboration get down to the Castle Window, 681 Brunswick Road, Brunswick, Melbourne 2nd-9th October.

Sunday, August 14, 2011

Inherent Vice: Ben Hutchings



During the Inherent Vice residency at The NGV Studio in Melbourne I spoke briefly with some of the cartoonists. Every day I have visited the NGV Ben Hutchings has been steadfastly chained to his desk with drawing utensil in hand. Ben enlightened me about what he has been up to.

How has the experience of been of working in public as apposed to your normal routine?

It's been really, really, really, excellent fun. I've really loved being distracted by people instead of by the fridge or the TV. I'm sitting here in the corner in front of these gigantic glass windows, where I'm the first thing everyone sees which is a bit weird, but It's great watching all the people walk past and talking to all the people coming in. Also having the other seven guys around is really good, really fun.

Did you have a specific project planned coming into the Inherent Vice residency?

I thought I'd set this time aside to work on this comic I've thought up called 'Walking to Japan'. I thought I'd be able to finish it in the five weeks here. So I've started working on it and It's a bit over half way through so the last week is just going to be a real massive hard slog to get that comic strip finished.


You're a full-time cartoonist?

Yeah I am. I do a strip for Picture Magazine and also just do a lot of freelance and stuff like that. I pretty much draw for a living completely.


The Inherent Vice residency is a curated event, were there any expectations from the artist's taking part?

Hardly any. They just said they'd like us to come in as often as we could and they gave us a little fee so if we could turn down some work and that sort of thing. There were no real expectations. There were plans to make a book at the end of this, a collection of our work, but it's pretty loose.




What got you into comics?

I kicked off with the British stuff like Beano and all that. That kicked it off and then I tried all types of comics, mainly with the style of humour it'd be the British funny comics like Viz and things like that which I just think are really, really funny. Also art styles a lot of black n white art from the seventies, underground stuff like Freak Bros, I picked up heaps of techniques from them and its a bit hard to say where I got techniques from but a bit of Manga I guess. Mostly black and white comics from the seventies and eighties I s'pose.

Do you have a favourite part of the comic making process?

Sketching out the thumbnails is the best bit, when you're writing out the comic.

Ben mentioned Milk Shadow Books will be publishing issue #10 of You Stink and I Don't, his long running one man humour anthology. Along with the Cartoonist/Animator David Blumenstein, Ben also hosts the hilarious podcast Comic Book Funny.