Paper Trail

I'm under the gun for a bunch of things so I'll be posting brief Paper Trail columns over the next two weeks.

Illustrations and comics by Peader Thomas.

The City Burns Crimson by Robert McMaster.

 
Becky and Frank of Tiny Kitten Teeth feature on the Mutant Season at Nerdist.

I Speak Comics interviews Moth City artist Tim Gibson. Sean Robinson writes about Moth City here.

Trailer for the Australian launch of Dailies #3 from Silent Army.

Non-Canonical interview Milk Shadow Books publisher James Andre.

Despicable  Man! 

Melbourne cartoonist Bruce Mutard details his forthcoming busy year of comics related events.

 Five Questions with Rod Emmerson at The New Zealand Listener.

  
Ness at Aggressive Comics interviews Ben Hutchings.

From the Pikitia Press work in progress folder,

More Phil Belbin Film adaptions.

Paper Trail

 Sarah Laing shares commissioned portraits of New Zealand artists and writers.

 
Roger Langridge has digitally released a previously unpublished 70 page comic created in the 90's, The Thirteenth Floor. Read about it here, available as a PDF and CBZ.

 
Langridge is also featuring in upcoming volumes of UK digital anthology Aces Weekly with The Fez Eldritch Detective.

Neil Sanders animation and illustration tumblr.

Jase Harper's Guh!

151 Capture Creatures by Becky Dreistadt and Frank Gibson.

Frank and Becky hourly comics. 

15 Comic Books are launching in Melbourne on March 2nd at this years BA3. Previews are going up daily on facebook and tumblr.

Endless Karma by Dan Cross and M. P. Fikaris.

Josh Santospirito writes about his recent performance with Christopher Downes of the Shipwright & the Banshee.


The Shipwright and The Banshee: MONA FOMA Performance from Chris Downes on Vimeo.

Just Be Honest For Now tumblr.

"Aftermath", objects & drawings by Leigh Rigozzi & Lachlan Conn.  Opening Friday February 8th, 6-8pm. Open Thursday - Saturday 12-5pm until Feb 24. Facebook it here.

  
Paul Mason writes about his cover design process for The Soldier Legacy's Strange Tales one-shot from Blackhouse Comics.

Hannah Nolan at Sensory Ghost

Tom Scott 2013 editorial cartoons.

Recently passed New Zealand broadcaster Paul Holmes portrayed by various cartoonists in The New Zealand Herald.

 Paul Holmes transition to Prime TV by Trace Hodgson

Rachel Fenton's Escape Behaviours.

Steve Saville on comics in the classroom and creativity part one and part two.

Aggressive Comics interview with Milk Shadow Publisher James Andre.

  Photo by Bobby N.

From the Pikitia Press WIP folder:

Keeping busy cleaning up scans for a book on New Zealand comics by Geoff Harrison. Here's some scans of New Zealand editions of Simon and Kirby's horror anthology series Black Magic, originally published by Prize Comics in the 1950's.

Tim Molloy - Radio As Paper Article 2010

 
The following article featured in NZ anthology Radio As Paper #4 published early 2010. 

Tim Molloy

Late 2009, Tim Molloy's work was one of the last feature exhibitions at Gallery 696 in Melbourne, Australia. The well attended exhibition was also a launch party for Molloy's most recent comic, Saturn Returns. A combination of Comic Art, Paintings, Sculpture and Installations, the exhibition was planned a full year in advance and the work on display was filled with meticulous detail.

Reading from an early age, Molloy had Tintin and Asterix amongst his intake and started creating his own comics before adolescence. Picking up on superhero comics a bit later Molloy was also turned onto 2000AD back when it was affordable for kids and had a creative cast of today's comic superstars. Various friends introduced Molloy to alternative comics like Milk and Cheese and he also became aware of New Zealand comics in his teens such as Andy Conlan's Strumming Teeth and the work of Willie Saunders.

Andy Conlan's Strumming Teeth

A formative comic experience of Molloy's was when Auckland legend and housemate, James James, dragged him aside at a party and threw a blanket over them for an impromptu comic creating lesson. "Look at this shit man! There's a light source! make those lines darker!" Friend Ben Stenbeck has also been a source of advice and inspiration over the years.

One of the first publishing efforts Molloy contributed to was Poot, in collaboration with a couple friends. Set out on A4 folded into quarters, Poot was distributed around Auckland with a last issue print run of 500 copies. Later Molloy contributed cartoons such as Ninja Sheep and Drunken Otter and Satan and to the Auckland Uni mag, Craccuum, and self-published many comics in the ensuing years.

 

In his late teens Molloy tried Magic Mushrooms and these had an effect upon his consciousness that led to him discarding what he had been doing previously and to develop a new direction with his work. Symbolism and esoteric elements  became more prevalent. Saturn Returns like much of Molloy's recent work features dialogue rendered in an alien symbolic language coupled with surreal imagery which are all earmarks of a style, distinctly Molloy's.

Molloy's recent exhibition showcased his work in a few different mediums, included detailed maquettes of characters from his comic work. Utilising architects moulding clay he created fully painted detailed renditions of his 2d work.  Molloy uses Stabiler Artline pens and the Artline 210 medium 0.6 by Shachihata is a staple of his work, providing a great variance of line widths for a relatively cheap pen. For very fine detail he switches to .1 and .005 pens. All his line work he manipulates in  Photoshop and Illustrator. Molloy confesses the editing functions available to him via computers allow him to obsess over every corner and detail which he feels can be detrimental to getting things completed. "The knowledge that the average reader will only glance at pages is no comfort when you want to make your work as good as it can be."

Like many cartoonist's Molloy drew early inspiration from Moebius but also took a step back from the french master to avoid becoming too submerged in his style. Influences come from a wide range particularly outside of the comics field with an appreciation for the work of Bosch and Brugel and literary influences such as Stephen King (The Dark Tower series) and Henry Miller. Dreams and Synchronicity also provide influence.

Mr Unpronounceable

A full colour book of Mr Unpronounceable adventures has been completed and was planned for 2009 but unfortunately the publisher involved came askew due to the worldwide economic crisis. Hopefully this will be rescheduled for 2010. Molloy stated, "The Unpronounceable stuff is kind of a throwback to a slightly more messed up me, it almost felt like at a certain point I was derailing my own life so I could come up with the feeling to be there with Mr Unpronounceable and follow him around. My brother mentioned the new stuff feels more like I'm in charge of the characters and I'm exploring the world with them whereas the Unpronounceable stuff I'm following this guy around and he's leading me into these really dark places."

Tim Molloy Blogspot
Tim Molloy DeviantART

Since interviewing Tim Molloy in 2009, a collection of his comics, It Shines and Shakes and Laughs, was published by Milk Shadow Books in 2012, who will be launching a giant tome of Mr Unpronounceable Adventures at the BA3 2013 comic book launch in Melbourne.

Accompanying photos unless marked otherwise were taken during Tim Molloy's Saturn Returns exhibition at Melbourne's Gallery 696.

All artwork © 2013 Tim Molloy

2012 in Review: Paul Bedford

Paul Bedford

What have been your personal cartooning/comics highlights of 2012?

 
Answering these questions.

Oh, and having the films rights for my OGN, The List optioned. The bonus is, I've been commissioned to write the screenplay adaptation. I'm into the second draft and, while proving a tough write, it's giving me the opportunity to have a second chance at my story; to change/improve scenes, dialogue etc. It's also a challenge to adapt my story into a 3 act structure, which the GN certainly isn't.

The other highlight was having the 3 volumes of The List finally printed in a single volume GN. It was great after all these years of envisioning it in this form to finally hold it in my hands. Very rewarding indeed. Sales at the stores, online and at the Cons have certainly improved since it became an all-inclusive read.

Other highlights include: continuing excellent reviews of The List from around the world; amazing - at times, touching - feedback from readers who seem to find a place to put their pain while reading the work; meeting new fans of the work at Cons and watching the local scene grow with great new talent.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

 
My two fave discoveries of the year (I tend to read only Aussie/NZ stuff) were Zombolette by Scarlette Baccini (Milk Shadow Books) and Kranburn by Ben Michael Byrne (FEC Comics). I suppose if we are talking about artists, we are actually talking about their art.

Zombolette: Many laugh out loud moments. A no-holds-barred, clever and unpredictable work. I've read it three times which has revealed the more subtle humour. I have heard rumour of a sequel, so it’d better be as good as the first, or I’ll burn Scarlette’s house down. I will, ya know.

Kranburn: I'm crap at keeping up with web comics so, as much I loved reading this on the web, I fell away from this series, always wishing it was in print. I'm certainly a print purist. Even comics on a tablet don't really do it for me - I just don't find the experience as engaging or visceral. Anyway, I was rapt when i heard it was to be published. Now, having just read issue 5 (a dark and brutal stand out in an already dark and brutal series), I am thoroughly eating it up. Ben's world building succeeds in drawing the reader into its barren, harsh dystopia. The surface adventure of the first four issues has now taken a deeper turn, and the pace has slowed. Both of these things are a welcome breather and shows Ben's grasp of his character. I believe he is on the 230 odd page mark, which is awesome news. I'd happily sit down as read the whole bloody thing in a massive GN.

What is something non-comics that you have enjoyed in 2012?

Battlefield 3. Nuff said.

Have you implemented any significant changes to your working methods this year?

Battlefield 3. It means I get less work done.
 

What are you looking forward to in 2013?

There is some new Battlefield 3 DLC coming out, so that'll be grouse and even more destructive to my artistic pursuits.

Aside from that, the producers who optioned The List screenplay will be shopping it around to various movie houses. That'll be an exciting and terrifying time. Man, the thought that it might get picked up and made into a feature film is almost too exciting to bear.

With the TPB out, I will be submitting it to various companies for possible publication. Let's see if any of these so called publishers of art are gutsy enough to pick it up.

I will finally get my short story anthology finished and get a bunch of artists to draw them up. I’ve had one drawn up so far and released as a mini which has received excellent feedback, so it would be nice to get the entire bunch done released as a collection. It's very different to The List: no violence, horror, drugs etc, so it won't sell.
Thanks for reading my babble. Now go and buy my book: http://www.thelistgraphicnovel.bigcartel.com/

2012 in Review: J. Marc Schmidt

J. Marc Schmidt

What have been your personal cartooning/comics highlights of 2012?

This year three of my books were released within a few months of each other between June-August, in three countries, so I was very busy. For a few months there I was working on all three at the same time! I translated my first long comic, Egg Story, into Esperanto with the help of several other proofreaders and it was published as Rakonto de Ovoj in Japan. It's actually doing really well! Next was a collection of my short comics, titled All You Bastards Can Go Jump Off a Bridge!, published by Milk Shadow Books in Melbourne. I went to Melbourne for the launch; it was enjoyable. Last was my first ever textbook/comic book, Test Your English, a collection of comics and cartoons was published in South Korea for the ESL market. It contains all-new material which I drew this year. I think it's really good and different, I want to do more of that kind of thing. So this year had old and new, looking forward and looking back.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

'Iron' Mike Grell, whom I discovered just last week! I knew of him but had never read his work. I discovered Sable, an action comic by Mike Grell published by First Comics in the 1980s. It's amazing - characters, plotting, scenarios etc. Also excellent is his Starslayer: Legend of the Jolly Roger. The artists and writers who continued both books are also good, and I am getting the impression from these and other First Comics that that publisher had very tight editing, resulting good or better storytelling.  Yaroslav Horak, who drew James Bond comics in the 70s-80s. Excellent, unique, dynamic style, makes the Bond character really interesting. He lived in Sydney for a while and may still do.

What is something non-comics that you have enjoyed in 2012?

I saw good exhibitions of Escher, Breughel, and Dutch masters (Vermeer, etc.). I read a lot of prose but the some that stood out were Time-Life's 1960s series on world history titled Great Ages of Man. Picked up almost the full series for $10 at the library. 30 Days to a More Powerful Vocabulary by Wilfred Funk and Norman Lewis. I found it on the side of the road during kerbside cleanup, I kid you not. What a terrific book. (As someone who sells books for a living, I should probably set a better example and buy retail more often!) Richard Roberts' Collier Quick & Easy Guide to Chess is both highly entertaining and informative. What a cheerful, funny and smart guy he is. I entered an art contest, teaching myself how to do acrylics in a day, then submitting two portraits. They turned out pretty well, but did not win. Was highly fun and rewarding anyway.

Have you implemented any significant changes to your working methods this year?

I've moved away from using computers, because I find it more satisfying to work that way, though I still have to use them a lot! I drew a lot of Test Your English on blank postcards; that way it's easy to do in trains, cafes etc. I made some comics from pet rocks that I made from river pebbles, dolls' eyes and fake eyelashes, then photographing them. That was very fun!

What are you looking forward to in 2013?

More of everything! We are living in a world of abundance, there is so much that is new to try. For example I want to get a motorbike, try surfing, get a cat or a dog, go somewhere completely new to me. I am looking forward to my next comics project, too!

http://redroom.com/member/j-marc-schmidt

2012 in Review: Gregory Mackay

Gregory Mackay

What have been your personal cartooning/comics highlights of 2012?

Witnessing the opening of Squishface Studio the year was great, knowing there are a group of cartoonists just down the road is reassuring. Also the reoccurring Big Arse comics launch is great to see. The Chugnut retreat was a highlight, it's great to work alongside other cartoonists with few distractions and get some serious work done as well as hangout with people who are doing such great work. I enjoyed staying in the little huts and walking around at night.

Having my comic 'Slow Panic' published in the Tasmanian Literary Journal "The Island" was great. The comic, which won the Lord Mayors Creative Writing award for best graphic short story, was also published in the French Turkey Comics at around the same time.

The Comics Caravan trip was an epic journey, we covered a lot of ground and saw some amazing comics as well as touring New York, Toronto and Chicago. Meeting Chester Brown and having him remember my old comics was very special. I really liked touring around in cars and vans with so many great cartoonists, in such inspiring surrounds. MOCCA fest was really energising in New York, as was TCAF in Toronto. Seeing the basement at Quimby's Books and seeing The Trials of Francis Bear on sale there completed a long time goal.

Launching my new Francis Bear book at the Melbourne Writers festival was also a highlight.  Working with James Andre of Milk Shadow books was fun as we got the book to print in record time. I wasn't sure about  speaking in front of a big crowd like that, but I don't think I did too badly. Releasing the book has been marvelous and it's great to get so many new readers.

I travelled to Florida to participate in the Atlantic Centre for the Arts Graphic Novel residency. It was a three week residency with master artist Dean Haspiel. We hung out in the Florida sun and worked on and discussed comics and storytelling. I made some great new friends and learned a lot about comics in general. Megan Kelso was also great to chat to at the residency and in general all of the 24 cartoonists and writers were amazing to learn from. Talking to Tom Hart about Francis Bear was insightful, as I had identified a few areas I could have done things better.

I then traveled to New York again for the Brooklyn Comics and Graphics Festival. I was caught up in Hurricane Sandy so getting around New York was a bit tough for a few days. After chatting to Chris Ware on the streets of Brooklyn and conversing with Charles Burns at the festival after party, the problems of staying in a disaster area seemed to vanish. Desert Island books were great in taking on the new book as were so many other comic shops in NY.

Being involved in projects that formed out of the residency has been a great challenge too. Filming for Graphic Novels Melbourne was great, even though I ended up on the cutting room floor. Seeing such a great and well realised film about local comics is truly heartening. Being a part of a separate documentary short film about my work was also interesting, look for it in the new year.

Self Publishing one 180 page book and writing two new books and working three jobs has been tiring, so I haven't had time for a lot of things I wanted to be a part of.  Getting picked up by Milk Shadow has meant a lot. Next year won't be as packed, so intend to get more comics done.
 

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

I discovered the work of Abner Dean and the incredible Gluyas Williams. These are comics greats from way back. Recent people would be Julie Wertz, Dustin Harbin, Michael DeForge and Julia Gfüroer plus many others.
 

What is something non-comics that you have enjoyed in 2012?

I enjoyed watching the Presidential Election unfold in New York, my new comics buddies shed a tear during Obama's acceptance speech. Being in NY for the Hurricane was especially strange. Attending the ballet to see Swan Lake was pretty special, I was really stunned by the spectacle and energy, I love how the crowd boos the villain at the end. Seeing the new 4k print of Raiders of Lost Ark, was cool. You can see the edges where the effects have been spliced in. Going to MOMA, The Guggenheim, The Met and just hanging out on the streets of Brooklyn all informed my work. Playing the survival horror game Day Z at home on the PC got me through a lot of dark times, finally an emotional  game with no objectives that's endlessly playable.

Working as an Associate Director of The Other Film Festival was an experience. Getting to be a part of such an important festival here in Melbourne was really educational. Seeing so many films about disability that really emphasise the lived experience of people with a disability was edifying and emotional. Chatting with filmmaker Adam Elliott about story telling and animation was intriguing and I think I learnt  a lot from him about starting projects. Traveling throughout Australia for my regular job took time away from my comics, but allowed me to travel overseas and have great adventures.
 

Have you implemented any significant changes to your working methods this year?

I was always criticised for working small, so many people work on a huge scale. I tried this for a while on my new book only to realise during the residency that I should work actual size like Francis Bear. This has made a huge difference in my work surprisingly and I feel I can get a better result. Sticking with the Brause no 18 nib has been important, I was thinking of changing to a Nikko nib, but after a while I could see that I could get a unique recognisable line from the Brause. I love Multi-liners with their replaceable parts, but Microns can take so much more punishment it seems.
 

What are you looking forward to in 2013?

I have some new books in the works, and I am looking forward to finishing those. I have decided to give Francis Bear a short break to work on something else completely different.  I am also working on a children's graphic novel and several other short and long term comics projects.

http://www.milkshadowbooks.com/products/the-trials-of-francis-bear/

http://gregorymackay.com/

2012 in Review: Scarlette Baccini

Scarlette Baccini

What have been your personal cartooning/comics highlights of 2012?

Being a part of the Big Arse 2 launch was really special. I launched Zombolette, which is a collection of my comics about a zombie and her mutant guinea-pig best friend. Over the years I've come to care deeply for these characters, and I was really proud to see it all finished and in the hands of real-life nerds.

Watching Graphic Novels! Melbourne! at Readings with the good vibes of the local comic book community was also a mega highlight. I've always been a bit of a hermit in comic book land, but there's a real buzz in Melbourne comics at the moment, and finally being a part of it this year has been wonderful. The film kind of summed it up for me.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

This year I discovered Warren Ellis, who created such a massive and wonderfully realised world that I felt totally lost in the landscape. I also very happily discovered about a zillion local creators. Tim Molloy's It Shines and Shakes and Laughs was so moody and delicious, I
can't wait to see more of his work. Ben Hutchings' Lesson Master killed me, and I think Walking to Japan is one of the loveliest creations I've seen. Discovering the prolificacy of Frank Candiloro was also really inspiring.

What is something non-comics that you have enjoyed in 2012?

Seven Psychopaths! Possibly my favourite film of 2012. I'd been having conniptions over drawing a lot of violence in a new comic I'm working on, and that film helped me to sort out my feelings on the matter.

Have you implemented any significant changes to your working methods this year?

I used to be very haphazard about drawing, and so years of strangling pencils whilst sitting awkwardly on the floor has given me pretty awful RSI. A few months ago I got my hands on a proper drawing board, started sitting at a desk, and learnt how to use brushes. It's been a bit rough learning to use all these new tools, but I'm sure I'll thank myself later.

What are you looking forward to in 2013?

Finishing a Zombolette graphic novel, and a few other shorter projects that are a bit out of my comfort zone.

http://scarlettebaccini.com/

Skinny Arse Comics Launch: Melbourne Writers Festival 2012.

Skinny Arse Comic Launch 2012 - Illustration Bruce Mutard

The Skinny Arse Comics Launch at the 2012 Melbourne Writers Festival is the brainchild of Melbourne cartoonist Bruce Mutard who has been very proactive in comics events in Melbourne as well as travelling Australia and the globe to attend comics events and spread the gospel of Australian comics.

Five comic books are being launched at the Skinny Arse in conjunction with the 2012 Melbourne Writers Festival including Pikitia Press's third release; Peter Foster's adaption of the Australian literary classic For the Term of His Natural Life.

Facebook event here. 

From the press release:

Unforgotten by Tohby Riddle (Allen & Unwin)

In this beautiful new book Unforgotten Tohby Riddle brings to life what remains largely unseen in the everyday. Exploring the idea of ‘who helps the helper’ and ‘who gives to the giver’, Unforgotten is a stunning book that both adults and children will connect with.

In a time of chaos and constant distraction, Unforgotten reminds us of the place of peace and calm, while at the same time including themes of faith, doubt, friendship and compassion.

All You Bastards Can Go Jump Off A Bridge by J. Marc Schmidt (Milk Shadow Books)

Creator of of the cult classic graphic novels, Egg Story and Eating Steve, and the co-creator of The Sixsmiths, J. Marc Schmidt furiously rains down over 200 pages of comic stories covering art, romance, religion, anger, pop culture parodies, sex and death in his latest collection, All You Bastards Can Go Jump Off A Bridge.

Featuring over a year's worth of webcomics, plus loads of rare strips from small press and anthology titles, All You Bastards Can Go Jump Off A Bridge explores human behaviour, and why it can sometimes be so hard to just get along with each other. Features a foreword by Tango's Bernard Caleo.

For The Term of His Natural Life by Peter Foster (Pikitia Press)

Peter Foster's adaption of Marcus Clarke's classic Australian novel For The Term of His Natural Life. Depicting the hardships of convicts in Tasmania in the early days of the colonisation of Australia. Sixty-four pages of vibrant colour with several pages detailing the original creation of one of Australia's first graphic novels and a foreword from Marcus Clarke scholar Laurie Hergenhan.

"Showman?" The Bret Braddock Adventures Book 1 & 2 by David Blumenstein (Nakedfella Productions)

A webcomic since 2009, the tale of Bret Braddock, wealthy arsehole, recently came to a poignant end. Now the whole story is collected together in two jam-packed volumes. An essential read for anyone who's ever been told "The cheque's in the mail". Created by David Blumenstein.

The Trials of Francis Bear by Gregory Mackay (Milk Shadow Books)

Melbourne indie comix legend Gregory Mackay's latest expedition into the world of the his most beloved character, Francis Bear. This time Francis has to deal with War, punishment, technology and the bottle, all whilst never losing the beautifully sparse signature sarcasm or simple style that makes the book so unique.

This is a free event, and will feature MC-ing by the King of comics examination, Bernard Caleo. Also comics maestro Bruce Mutard will be popping by for some hijinks!

All of the artists will be in attendance, so there'll be lots of signings, short speeches and other fun. An after party will be held nearby (Location, TBA).

Steve Carter and Antoinette Rydyr Interview Part Two of Two

Read part one of James Andre's interview with Steve Carter and Antoinette Rydyr here.

Find Steve Carter and Antoinette Rydyr online here.
Find Milk Shadow Books here.

A lot of your horror work seems to either be set in the prehistoric times or in the future. Your visions of the future and past seem unlike those of the Flintstones or Jetsons. What interests you in these time periods?

  The very fact that these time periods are not in the here and now allows the imagination far greater freedom to explore the kind of concepts and images that we do. Stories set in the present, with a basis in firm reality, make this more difficult to achieve. The more unreal, surreal or bizarre the setting or scenario, the more creative your imagination becomes, resulting in uniqueness and originality. Also, issues such as social politics, et al, can then be addressed in a far more lateral way and remain in the subtext without crowding the story and action. When working within genres such as SF, horror and fantasy, as a general rule, the further from reality the story, the more diverse the interpretation of the readers. We feel that this is ultimately a positive thing. We have found that settings in other realities, in the far past or distant future, or on other worlds, work best for us when dealing with pure “fantasy”

You have released several works with titles such as Gorgasm etc, what do you think of the new trend in mainstream filmmaking, and possibly mass media in general of the pornography or torture porn style of entertainment? Recent works such as Hostel etc?

For a start, it’s not exactly a “new trend”. Do not forget the Video Nasties and the Pre-Code horror comics of the 1950s, or the “Penny Dreadfuls”, the pulps of the 1930s and just as infamous, the Grand Guignol, which featured staged rapes, torture and mutilations such as eye gouging – as do films like Hostel and Saw.

There is far less censorship now than there was in the hideously politically correct 1990s. Back then; it was just too fashionable to be offended by just about anything at all. There is more freedom now, and that can only be a good thing for artists who enjoy pushing the “boundaries”.

We feel that films such as Hostel 1 & 2, Dawn of the Dead remake, Devil’s Rejects, Hills have Eyes remake, and such, are bonafide modern horror films that do not pull their punches. There are many interesting themes and good performances in these films, along with genuinely threatening and confronting images of terrifying violence. These elements make these films much more powerful than your average lightweight thriller.

One thing these films are not, and that’s pornography. While the violence and elements of sadism may well be intense, they contain no porn. Nudity, naked breasts and simulated sex does not constitute pornography. Nor do bucket-loads of SFX blood and guts. Pornographic films have real people indulging in real sex for the camera. These “new trend” horror films are not real. They are created through the use of special effects. No one is ever “really” tortured, raped, mutilated or murdered.
 
On the other hand, there are women who are involved in the porn industry that clearly would rather be doing something else. In effect, they are trapped. That kind of scenario is pretty depressing. This is simply not the case with films like Hostel, no matter how “offensive” the themes and imagery.

 

Horror is visual and visceral as well as psychological. In a thriller or suspense story it is the notion of implication and an atmosphere of fear that drives the story and characters. It is not until “that which is truly unacceptable” actually transpires and is shown rather than implied that a story can really become a “horror story”. This is what puts horror apart from other forms, such as suspense and fantasy, etc.

All good stories, horror or otherwise, have a combination of elements– a good premise, strong concepts, suspense, drama, action, interesting characters, a cohesive plot, and in some cases, even moments of impactful violence. But if you intend to do horror, then it’s a good idea to make it horrific – conceptually and visually. Matters of “taste” or theories of what does or does not constitute “porn” and “torture porn” don’t enter into it.

Splash page from Phantastique #4

Can you talk about the relaunch of Phantastique?

Yes, Phantastique has re-emerged as Fantastique. The first two issues are in circulation throughout the underground and a third one is due to be released soon. It includes The Well of Souls - scripted and pencilled by us and inked by Glenn Smith, and Ocean Born, a script of ours that has been illustrated by Tanya Nicholls (of Storm Publishing).

Fantastique is more overtly oriented towards fantasy and science fantasy, but it also contains obvious elements of horror and gore. On the other hand, Charnel House is a hard-core horror comic that is extreme and very explicit.

Ever thought of doing something with some fluffy bears and a nice little romance?

Not likely. Not our thing.

So, what’s up next?
More art, stories, experimental music and comics.

Thank you both for your time.
Thanks very much for your interest in us, and our work.
 

All images copyright 2012 Steve Carter and Antoinette Rydyr. Interview copyright 2012 James Andre.