2012 in Review: Tim Gibson

What have been your personal cartooning/comics highlights of 2012?

Launching my Online Graphic Novel www.MothCity.com has been massive for me. It’s a story that I’ve wanted to tell for many years, and it’s exciting to have it up there for people to read. It’s a project that I really love doing, and that I’ve poured my soul into for many years, so it’s really a giant sigh of relief that it is out there and readable, but also so great looking forward into 2013 and where the story, characters and website will go.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012? 
 
I’ve been delving into some old EC comics via a great book called ‘Four Color Fear’, and have recently been enjoying the art and stories of Hugo Pratt, via ‘Corto Maltese – The Ballad of the Salt Sea.’ I’ve enjoyed both books for their old fashioned yarns and beautiful art work. For more recent modern work I enjoyed reading a short series called ‘The Cape’ written by Jason Ciaramella and Joe Hill, with art by Zach Howard and Nelson Daniel.

What is something non-comics that you have enjoyed in 2012?

I just went to the exhibition of ‘The Gloaming’ which is the sculptures and art of an old Weta Workshop friend of mine, Johnny Fraser-Allen. It is a beautiful combination of Johnny obsessions; film sculpting, fantasy art and storytelling. You can learn more about it on its facebook page http://www.facebook.com/JohnnyFraserAllensTheGloamingTrilogy

Have you implemented any significant changes to your working methods this year?

I’ve been working predominantly for myself this year, which is a big change. I previously had a central city studio at the start of the year before setting up in my apartment, where I’ve been steadily working. This, combined with the fact that I’ve working more hours on my comic than I ever did in 3D animation means I’m not getting out a lot…

What are you looking forward to in 2013?

The continuation of the Moth City story I’ve got a solid buffer of pages in my back pocket, and they’re being published every week published online at www.MothCity.com, so I’m really looking forward to the reactions to that work.  I’ll also be getting back into some freelance illustration, animation and graphic design work to keep my ‘Clark Kent’ career ticking.
 

www.MothCity.com

2012 in Review: Marijka Gooding

What have been your personal cartooning/comics highlights of 2012?

Being introduced to the Melbourne comic book scene and all its lovely people. I think because the Melbourne scene is still quite young there is this stronger feeling of camaraderie and support amongst its members.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012? 

Early this year I discovered the Nobrow books. Nobrow are a small, independant publishing group from the UK, started in 2008, who specialize in beautifully crafted, one off comics and publications. Their work hit home for me the importance of looking at books as physical objects and as commodities to be kept and admired.  This pushed me to see my own work as a final, packaged product and take into consideration basic aesthetics like the weight and feel of a book.

What is something non-comics that you have enjoyed in 2012?

Mostly due to the comic book (Gooding's debut graphic novel, Strange Behavior.), I've been a bit of a shut in this year so my most enjoyable moments have been mostly small wins, like the day I found a slightly squished Caramello Koala wedged in between the couch cushions.

Have you implemented any significant changes to your working methods this year?

I am happy to say that this year I finally become friends with typography. After undergoing, and almost failing, first year typography classes at Uni, I had written myself off as never being any good at it. I found the whole thing so intimidating with its strict conventions and anal retentive specifications that I completely avoided using type in any of my work. It wasn't until I started to collecting examples of type myself (old tins, on the side of old trucks, wrappers, vintage signage, comics) that I started to really love it.
 
I noticed that the work of the comic artists I admired (particularly Dan Clowes, Chris Ware and Charles Burns) all had this strong, graphical consideration of type and I think that all stems from their mutual respect for both the written word and image. I wish someone had shown me sooner how exciting and varied type could be.

What are you looking forward to in 2013?

 

The Big Arse 3 comics launch scheduled March next year.

 http://www.marijkagooding.com/

2012 in Review: Damon Keen

What have been your personal cartooning/comics highlights of 2012?

Helping to get New Zealand's first crowd funded comic, Faction, out into the world! 

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

I made some great discoveries this year, so that's a tricky one. Finally got around to reading Charles Burns - and in particular Black Hole. It's always great when the storytelling and art come together so seamlessly, and Black Hole is beautiful and disturbing. I love stories that manage to include the surreal and dreamlike, but without becoming self indulgent and nonsensical, and Black Hole pulls it off brilliantly. Loving his new stuff too - the Hive is great.

Also finally read Dharma Punks by Ant Sang! Embarrassingly late I know - but well worth the wait. I think that it may just have catapulted straight to the top of my all-time favourite NZ comics. 

What is something non-comics that you have enjoyed in 2012?

Freaking LOVED the Mars landing by the Curiosity rover in August. We watched it live on NASA TV. It's what I imagine sport fans must feel like when their team wins something. What a bloody awesome achievement, One of those rare moments it felt good to be a human being. The Higgs Boson discovery was also mind-numbingly awesome. 

Have you implemented any significant changes to your working methods this year?

It's my first year of being freelance - so I've had to do lots of boring changes - like figuring out how to do my taxes and invoicing. Blergh. More interestingly, my drawing and comic creation has gone nearly entirely digital, from sketches through to the final work - a fun experiment, but I think the results have been promising so far. I still thumbnail the story outline first in a notebook though, so not quite there yet!

What are you looking forward to in 2013?

Rocket boots. Better instant meals. Otherwise, continuing to grow Faction, I think. It's an exciting challenge. Nationally, it'd be nice to see the disgusting government we've got crash and burn, and globally, it'd be good to see some action on climate change. Anything. Anything at all. But I'm not holding my breath.

http://www.factioncomics.co.nz/

2012 in Review: Dylan Horrocks

Dylan Horrocks

What have been your personal cartooning/comics highlights of 2012?

I'm currently drawing the last two chapters of 'Sam Zabel & the Magic Pen' volume 1, which is pure pleasure. Also: drawing a whole lot of watercolour commissions earlier in the year; hanging out with fellow NZ cartoonists Colin Wilson, Roger Langridge, Chris Slane, Ben Stenbeck, Greg Broadmore and Rufus Dayglo in Italy and Germany.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012? 

Simon Hanselmann. Requires no elaboration. His brilliance is self-evident: http://girlmountain.tumblr.com/

What is something non-comics that you have enjoyed in 2012? 

Mad Men. Been watching it obsessively (all 5 seasons) and it's become a serious addiction.

Have you implemented any significant changes to your working methods this year?

I now adore using watercolour, after years of being scared of it. So far, I've only been using it for sketches & commissions, but we shall see...

What are you looking forward to in 2013?

Finishing 'Sam Zabel & the Magic Pen' volume 1. Starting volume 2. 

 http://hicksvillecomics.com/

2012 in Review: Jason Franks

Over December I'll be running some brief year in review interviews with Australian and New Zealand cartoonists and comic folk. Kicking things off today with a good friend of mine, Melbourne writer/cartoonist Jason Franks.

Jason Franks

What have been your personal cartooning/comics highlights of 2012?

Without question, the highlight for my own work has been McBLACK TWO SHOT. It's not the first time I've worked with Bruce Mutard but it's the first of our work together that's seen print. Putting his highly polished and traditional art style next to Luke Pickett's brilliant crayon-and-notepad sequence, then Rhys James' super-modern digital painting and J. Stew's atmospheric, underground nightmares... I am ridiculously proud of this combination of artists.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

This year has been all about Image for me. I've been mates with Justin Jordan for many years, so Luther Strode probably doesn't count, but a lot of my favourite new mainstream books have been Image stablemates. Green Wake by Wiebe and Rossmo. Who Is Jake Ellis? by Edmondson and Zonjic. Also this is the year I finally cottoned onto Locke and Key by Hill and Rodriguez.

My other big find has been Naoki Urasawa. I tried Pluto a couple of years ago and it wasn't my cup of tea; but this year I discovered that three of the manga books I was most interested in (old and new) are by Urasawa. Monster and 20th Century Boys are every bit as good as they are reputed to be, and I'm dying to get my hands of an English version of Billy Bat.

What is something non-comics that you have enjoyed this year?

I've probably found myself reading more prose than I have for the last few years. This year it's been a lot of Richard Morgan, John Steinbeck, Greg Palast, Evan Wright, China Mieville and Richard Stark. Some of these are old favourites, some are something new. On TV the only thing I've really cared for has been Breaking Bad.

Have you implemented any significant changes to your working methods this year?

I'm trying to put out a bit more prose fiction than I have in the last few years. Publishing my first novel has sort of opened my eyes to the opportunities in that world and the comics business is a bit sickly right now. I mean, when using Kickstarter to avoid the entire traditional marketplace is the great white hope for original comics you know there are problems. That said, I have a LOT of comics projects in the works and hopefully a lot more of them will drop in 2013 than we've seen in the last 2 years. I'm focusing on longer work--graphic novels and miniseries, as opposed to short stories and anthologies--and it takes a lot of time to get these bigger projects up and running.

What are you looking forward to in 2013?

Putting out more comics. There should be more McBlack and more Sixsmiths, but also, if things go well, a bunch of completely new stuff in a variety of genres. Hope to sell my second novel, too. I'm also looking forward to watching the continued growth of the local scene and to reading awesome new comics from local publishers. 

http://www.jasonfranks.com/

Melbourne Comic Meet Up 2012

My Camera died before I could snap the forty odd folk inside but here's a few of the comic folk at the December meet up in Melbourne. There were actually women folk there too.

  Ben Hutchings and James Andre

  Philip Bentley and Daniel Reed

 Jason Franks

Assorted Melbourne Comic Folk

Tristan Jones and Tom Taylor

New Comics from Pikitia Press in 2013

With a few weeks left of 2012 I'm deep into work on comics and books for the Pikitia Press publishing slate in 2013.

The third collection of Peter Foster and James H. Kemsley's Ballantyne adventure strips from the Sydney Sun Herald is coming together. This collection will include a back up feature of an unpublished Foster and Kemsley newspaper strip, Sports INC. 72, Initially prepared during the nineties for a newspaper proposal that did not eventuate.

James Davidson's Moa #1, initially released as a black and white ashcan in 2010, has been revamped as a full-size colour comic and a collection of the first three issues of Moa with additional material will be available in 2013. James has posted a seven page preview of Moa #1 here.

I'll have release dates for these soon as well as news of several other comics due in 2013.

Ernest Heber Thompson

Ernest Heber Thompson was born in Dunedin in 1892 and as a cartoonist was the first contributor to The Sketcher, a Dunedin magazine composed of illustration and humourous writing. Thompson taught at the Dunedin School of Art in the early twentieth century and in 1915 enlisted to fight in World War One, serving as a sergeant in the 3rd New Zealand Rifle Brigade. Whilst stationed in France from 1916 to 1917 Thompson completed a large number of cartoons some of which featured in the fortnightly soldiers‘ magazine , Chronicles of NZEF, and in the annual, New Zealand at the Front,  published during the final years of the Great War.

Badly wounded at Messines on 7 June 1917, Thompson was transported to England for convalescence and remained there after the War. Thompson exhibited widely, including at the Royal Academy and recorded his travels throughout Europe drawing many of the people he encountered in his travels. Thompson served as representative of the New Zealand National Art Gallery in London, from 1951 to 1966. Thompson died in England in 1971.

Eric Bloomfield has a tragic account of a 1926 subject of Thompson's portraiture in London here.

A selection of Thompson's wartime art can be viewed here.

The following Thompson cartoons are from the second issue of The Sketcher published August 1913. As well as providing all the cartoons for the magazine Thompson illustrated several of the advertisements.

 

 

Sources:  http://warart.archives.govt.nz ,  christchurchartgallery.org.nz