Sarah Howell
What have been your personal cartooning/comics highlights of 2012?
It has been a massive year when it comes to comics stuff for me, there have been lots of great times, but if I have to name a handful they would be: starting Squishface Studio; starting the Ladies Drawing Auxiliary talk series at Squishface; teaching cartooning on a weekly basis; meeting Bill Messner-Leobs (co-writer of The Maxx) and his wife at a very pleasant comics meet in Ann Arbor, Michigan; and Dave (Blumenstein) giving John Porcellino a copy of my comic when he met him at the Toronto Comic Arts Festival.
It has been a massive year when it comes to comics stuff for me, there have been lots of great times, but if I have to name a handful they would be: starting Squishface Studio; starting the Ladies Drawing Auxiliary talk series at Squishface; teaching cartooning on a weekly basis; meeting Bill Messner-Leobs (co-writer of The Maxx) and his wife at a very pleasant comics meet in Ann Arbor, Michigan; and Dave (Blumenstein) giving John Porcellino a copy of my comic when he met him at the Toronto Comic Arts Festival.
Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?
Organising Ladies drawing
Auxiliary has introduced me to a pile of new creators that I wasn't
aware of, or only knew a little bit about: Scarlette Baccini, Lily Mae Martin, Lee Lai, Megan Nairn, Leonie V. Brialey, Kate Moon, Adi Firth, Rebecca Hayes, Katie Houghton-Ward, and Lindsay C. Walker.Also I read Jason Franks' work for the first time. I picked up The Sixsmiths from him at Sticky's Festival of the Photocopier. The Sixsmiths made me laugh and it captures the feeling of suburban Melbourne really well.
Probably my favorite international find was Englishman Luke Pearson. I read his Hilda and the Midnight Giant earlier in the year, and then picked up Everything We Miss from his publisher Nobrow Press while in Toronto. There is an influence from Chris Ware in Pearson's work, but his obvious love of the mythic makes his stories far more entertaining and moving for me.
What is something non-comics that you have
enjoyed in 2012?
I watched Wings of Desire again, mostly so Dave could see Peter Falk in it. I came home the next evening to find Dave listening to the Director's commentary, which was fascinating. The film wasn't scripted, Wim Wenders had a framework of the opening poem and the idea of the angels wandering around Berlin (this is before the wall comes down), but everything else is pretty much improvised. I found his comments resonated with my own preferred way of working.
Breaking Bad. I find Breaking Bad emotionally very affecting. Dave often watches it late at night before bed and I have to put ear plugs in because it agitates me too much before trying to sleep. Again we listened to the director and cast commentary and it is very inspiring, the amount and quality of thought and intention that goes into achieving the emotional tension of the show.
Have you implemented any significant changes to your working methods this year?
Research and writing a script! I mostly drew silent comics in the past and never enjoyed writing a script because for me the images always develop first in my mind, so I would thumbnail script. Last year I found myself inspired to do a historical comic and started researching. I was confident that I could just thumbnail script again, and was quite resistant to writing one, but as my research notes progressed I just got to a point where I realised for clarity and speed I needed to write the sequences and dialogue out. Now I'm really enjoying the process.
What are you looking forward to in 2013?
More Squishface adventures, particularly Ladies Drawing Auxiliary. Mini Comic of the Month Club. Getting all nerdy at the National Archives and Old Parliament House in Canberra with the aim of getting a good chunk of my graphic novel done. Dave's comic about a fictional cult leader.
