Showing posts with label tim molloy. Show all posts
Showing posts with label tim molloy. Show all posts

Tuesday, March 5, 2013

BA3 Comic Launch Melbourne

 

Now a firm institution in the Melbourne comic calendar, the third Big Arse combined comic launch took place last weekend with fifteen new comics released from primarily Australian and New Zealand artists and writers. Compared to last year's, overcast day of showers, Melbourne provided a warm sunny day for comic folk to gather at the Fitzroy Beer Garden. From my involvement in the three launches to date, I've witnessed the event grow in scale and ambition with a companion launch organised by Bruce Mutard during the Melbourne Writer's Festival last year looking to also become a yearly fixture. A further spin-off has been discussed to accommodate the growth in the local comics community and audience which bodes well for the future.

Nalini Haynes of Dark Matter Fanzine captured video and audio on the day here.


 Passionate Bruce Mutard
 



 Colin Wilson and Ian McColl















Alleyway beside the Fitzroy Beer Garden

Sunday, February 24, 2013

BA3 Melbourne Comic Book Launch

  
I have a couple Pikitia Press comics launching at this weeks BA3 launch.

From the press release: 

Melbourne, Australia - the Melbourne comics community is hosting its third annual Big Arse Book Launch. This year they will be launching fifteen (15) new works created by authors from around Australia and New Zealand.

Once again the launch will be conducted by the one and only Bernard Caleo.

Saturday, March 2nd from 2:00pm
Sentido Funf
243 - 245 Gertrude Street
Fitzroy
Victoria, Australia

  
Big Arse 3 is proudly sponsored by All Star Comics.

 
 DIGESTED #6 (Gestalt Comics)
The sixth issue of Bobby.N’s series, continuing the lead feature OXYGEN and a variety of other tidbits and goodies. http://www.bobbyn.com

 

YUCK! #7 (Milk Shadow Books)
The Universe's greasiest comix anthology returns with Yuck! #7. Original surreal black comedy from a plethora of low-lives, including Ben Hutchings, Tim Molloy, Bruce Mutard, the Phatsville crew, Gregory Mackay, J. Marc Schmidt, Michael Aushenker, Scarlette Baccini, David DeGrand, Kapreles, Frank Candiloro, James Andre, Ben John Smith, Andrew Fulton, Johandson Rezende and many more surprising sickos. Straight from the gutter into your hands. Cover by Ben Sea. Edited by Mr. Slime.
www.milkshadowbooks.com

 
ADVERSARIES (Pikitia Press) 
Matt Emery's laughey comics from the comics ghetto. www.pikitiapress.com


AWAKENINGS #2
Awakenings 2 is a stand-alone book in a series of two volumes. It contains short stories written and illustrated by artist and animator Jesca Marisa. Awakenings is an intensely colourful and beautifully illustrated book composed of multiple interweaving stories of a surreal and fantastical nature. The book was inspired by the author's remembrance of dreams which she has woven into stories of journeys undertaken by the diverse cast of characters. http://be.net/jescamarisa



BALLANTYNE: THE FLAW IN THE JEWEL (Pikitia Press) The third volume of artist Peter Foster’s collaboration with writer James H. Kemsley, originally featured as an adventure strip in the Sydney Sunday Sun-Herald during the 1990s. Based on Kemsley’s vivid memories of working as a patrol officer in post World War Two New Guinea, Ballantyne is a classic adventure tale in the fine tradition of Lee Falk’s The Phantom and John Dixon’s Air Hawk. www.pikitiapress.com


BUDD & LUU - PART I (FrankenComics)
Budd & Luu are a lovable comedic duo who get into all sorts of random and crazy adventures. When some mysterious force starts to erase their world the pair escape through a strange portal, which lands them in a high-tech asylum located in an alternate dimension. Soon, they are subjected to painful experiments, and they discover the truth about their existence, as well as the real purpose of the asylum. By Frank Candiloro.
www.frankcandiloro.com


 
A BRUSH WITH DARKNESS (Milk Shadow Books)
Before Da 'n' Dill... before Batrisha... Dillon Naylor was the defining artist of the 90s Melbourne underground/alternative music scene. Naylor created comics for Area 7 and The Fireballs and many other bands, as well as tour posters for The Beastie Boys, Powderfinger and the Pushover Festival. This material is collected in its entirety, along with Dillon's early horror comics, unseen pages, sketches, notes and Anecdotes.
www.milkshadowbooks.com

 
GRAPHIC/NARRATIVE #1
Graphic/Narrative #1 presents 'Panic', an autobiographical tale about the author’s struggles with an anxiety and panic disorder. The book conveys the experience of a panic attack and discusses the progression of anxiety disorders. Follow Brendan Halyday as his life falls apart around him.
www.brendanhalyday.com

 
KRANBURN #6 (FEC Comics)
Both Brand and Silvia are on their own personal rampages. While Silvia takes care of the Nong messenger in her own way, Brand continues levelling the playing field on the Nong home turf. Do not mess with the people of Kranburn. By Ben Michael Byrne. www.feccomics.com

 
LADY McBLACK #1 (Black House Comics) 
At the behest of her three sisters, McBlack investigates the murder of Lila Bodicker by the Wester Reapers, a mixed municipal soccer team. But whoever killed Lila does not want the Bodicker sisters to find out what really happened and before long McBlack himself is being hunted in the streets. Written and pencilled by Jason Franks. Inks by Dave Gutierrez. Cover by Rhys James. www.mcblack.com

 
MR UNPRONOUNCEABLE ADVENTURES (Milk Shadow Books)
Tim Molloy has finally bound the exploits of Mr Unpronounceable, the ultimate anti-hero madman, into a single volume. 213 pages of throat-tearing, void questioning, dimensional tripping, laughing, crying, laughing, questioning adventures through the city of the Ever Open Eye by the creator of It Shines and Shakes and Laughs.
www.milkshadowbooks.com

 
SEVEN #2 (FEC Comics)
Book 2 of the Seven series follows Kat and Hans on their search for their brothers - and as they stumble on a plot of betrayal, murder and an innocent goose girl, they find that acceptance of your fate does not lead to happiness.  By Alisha Jade. www.feccomics.com

 
STRANGE BEHAVIOUR
The debut graphic novel by Melbourne illustrator Marijka Gooding. Retold through the eyes of a six-inch version of herself,
these short stories emphasize the ridiculousness of the world and encourage others to appreciate the subtle ironies hidden in the mundane. http://www.marijkagooding.com/


UNGENRED (Black House Comics)
A collection of Jason Franks’ non-genre stories. Drama, comedy, travel, autobiography, social realism and sentient robots. Illustrated by Bruce Mutard, J. Marc Schmidt, Nic Hunter, Ed Siemienkowicz, Renan L’Hopsum, Joe Pimienta and others. Introduction by Bernard Caleo.
www.blackhousecomics.com
 
VELOCITY #3
A fantasy and sci fi anthology by some of Australia and South Africa’s most best creators. Edited by Moray Rhoda and Neville Howard.
www.gaining-velocity.com

 

Monday, January 28, 2013

Tim Molloy - Radio As Paper Article 2010

 
The following article featured in NZ anthology Radio As Paper #4 published early 2010. 

Tim Molloy

Late 2009, Tim Molloy's work was one of the last feature exhibitions at Gallery 696 in Melbourne, Australia. The well attended exhibition was also a launch party for Molloy's most recent comic, Saturn Returns. A combination of Comic Art, Paintings, Sculpture and Installations, the exhibition was planned a full year in advance and the work on display was filled with meticulous detail.

Reading from an early age, Molloy had Tintin and Asterix amongst his intake and started creating his own comics before adolescence. Picking up on superhero comics a bit later Molloy was also turned onto 2000AD back when it was affordable for kids and had a creative cast of today's comic superstars. Various friends introduced Molloy to alternative comics like Milk and Cheese and he also became aware of New Zealand comics in his teens such as Andy Conlan's Strumming Teeth and the work of Willie Saunders.


Andy Conlan's Strumming Teeth

A formative comic experience of Molloy's was when Auckland legend and housemate, James James, dragged him aside at a party and threw a blanket over them for an impromptu comic creating lesson. "Look at this shit man! There's a light source! make those lines darker!" Friend Ben Stenbeck has also been a source of advice and inspiration over the years.

One of the first publishing efforts Molloy contributed to was Poot, in collaboration with a couple friends. Set out on A4 folded into quarters, Poot was distributed around Auckland with a last issue print run of 500 copies. Later Molloy contributed cartoons such as Ninja Sheep and Drunken Otter and Satan and to the Auckland Uni mag, Craccuum, and self-published many comics in the ensuing years.


 

In his late teens Molloy tried Magic Mushrooms and these had an effect upon his consciousness that led to him discarding what he had been doing previously and to develop a new direction with his work. Symbolism and esoteric elements  became more prevalent. Saturn Returns like much of Molloy's recent work features dialogue rendered in an alien symbolic language coupled with surreal imagery which are all earmarks of a style, distinctly Molloy's.

Molloy's recent exhibition showcased his work in a few different mediums, included detailed maquettes of characters from his comic work. Utilising architects moulding clay he created fully painted detailed renditions of his 2d work.  Molloy uses Stabiler Artline pens and the Artline 210 medium 0.6 by Shachihata is a staple of his work, providing a great variance of line widths for a relatively cheap pen. For very fine detail he switches to .1 and .005 pens. All his line work he manipulates in  Photoshop and Illustrator. Molloy confesses the editing functions available to him via computers allow him to obsess over every corner and detail which he feels can be detrimental to getting things completed. "The knowledge that the average reader will only glance at pages is no comfort when you want to make your work as good as it can be."



Like many cartoonist's Molloy drew early inspiration from Moebius but also took a step back from the french master to avoid becoming too submerged in his style. Influences come from a wide range particularly outside of the comics field with an appreciation for the work of Bosch and Brugel and literary influences such as Stephen King (The Dark Tower series) and Henry Miller. Dreams and Synchronicity also provide influence.

Mr Unpronounceable

A full colour book of Mr Unpronounceable adventures has been completed and was planned for 2009 but unfortunately the publisher involved came askew due to the worldwide economic crisis. Hopefully this will be rescheduled for 2010. Molloy stated, "The Unpronounceable stuff is kind of a throwback to a slightly more messed up me, it almost felt like at a certain point I was derailing my own life so I could come up with the feeling to be there with Mr Unpronounceable and follow him around. My brother mentioned the new stuff feels more like I'm in charge of the characters and I'm exploring the world with them whereas the Unpronounceable stuff I'm following this guy around and he's leading me into these really dark places."

Tim Molloy Blogspot
Tim Molloy DeviantART

Since interviewing Tim Molloy in 2009, a collection of his comics, It Shines and Shakes and Laughs, was published by Milk Shadow Books in 2012, who will be launching a giant tome of Mr Unpronounceable Adventures at the BA3 2013 comic book launch in Melbourne.

Accompanying photos unless marked otherwise were taken during Tim Molloy's Saturn Returns exhibition at Melbourne's Gallery 696.
All artwork © 2013 Tim Molloy

Sunday, January 27, 2013

Saturday, December 15, 2012

2012 in Review: Kelly Sheehan

Kelly Sheehan

What have been your personal cartooning/comics highlights of 2012?

Seeing Darren start a new Inhabitants episode. Titled A Day at the Races it features new characters, the foregrounding of previous background characters and the backgrounding of previous foreground characters. It was meant to appear in the first issue of Fraction but fell victim to real life and will now, hopefully, appear in the second issue. Also finishing the latest of our little 'netsuke' comics. All going to plan I should be picking it up from the copy shop next week. Keep eyes peeled for Some were meant for sea. 

Enjoyed contributing to Bob's Tearoom of despair and subsequently being linked to by Tom Spurgeon. Writing for Bob's blog suggested some possibilities for writing comics which I'm slowly trying to sort out in my head. Nice to be included in Dylan's catalogue of New Zealand comics creators.


Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

Am enjoying Brian K Vaughn's Saga. I've waited for years to like something by that guy. Y the last man left me cold and I wanted to enjoy Ex-machina but something didn't quite click. Saga grabbed me right away. Jonathan Hickman's Manhattan Projects is fun. It's good to have a monthly(ish) comic that I look forward to. Been a while since I felt that sort of regular anticipation. There's a seat of pants feel to the book that makes you feel Hickman is having the time of his life making it all up as he goes along. Great stuff.

Prophet from Brandon Graham and friends is my hands down favourite for this year. Like Hickman's comic there is a feeling of a free wheelin' good time. Reading interviews with Graham and co you get the idea that the creators are always trying to top each other. All of those titles have the fun, smart feel I associate with reading 2000ad when I was young. 

Finally, she's not new but I really liked Alison Bechdel's Are You My Mother? There seems to have been an almost indifferent response to it's release. I find this puzzling considering the accolades heaped on Fun Home. Anyway it's an astonishing piece of work and is less an autobiography than an interrogation of Bechdel's relationship with her mother in the form of a comics essay.

What is something non-comics that you have enjoyed in 2012?

Breaking Bad season 5. David Thomson's The Big Screen, a history of film, the screens we watch it on and an exploration of the dangerous effect it has on us as individuals and as a culture. Thomson's vision is pessimistic, but so beautifully expressed that you can't help but be swept along. Some of the dead are still breathing:living in the future by Charles Bowden. Even more jaded than Thomson, Bowden has been covering the Mexican Drug War for way too long. This book is a collection of intermittent writings knitted together into a dream meditation on the coming world and the ecological and moral apocalypse we are staring down the barrel of. Excellent.

Mitch Jenkin's and Alan Moore's Jimmy's End was great. It is interesting to see Moore trying to come to grips with a new form. Not all of it worked but when it did Jimmy's End was fantastic. My favourite part was the end, it was like Moore had driven one of his spoken word pieces at high speed into the back end of Jenkins' film (though the gold face paint was a bit silly). Oh, and reading all of A song of ice and fire in a binge that lasted six week. When's the next one out?  
    


Have you implemented any significant changes to your working methods this year?

No. I still don't work regularly enough. I still have things that are half finished. That still makes me feel guilty  Would like to say this will change in 2013 but I doubt it.


What are you looking forward to in 2013? 

Making more comics with Darren. Seeing some of our work being part of the exhibition at St Pauls Street Gallery. Finally getting hold of Tim Molloy's It shines, it shakes and laughs (and his new Mr Unpronouncable book).  The combined thrill power of LofEG:Heart of ice and Jerusalem. Hanging with fellow cartoonists at various events. Seeing more work from Mr Timothy Kidd. Family stuff.


Thursday, December 13, 2012

2012 in Review: Jase Harper

Jase Harper


What have been your personal cartooning/comics highlights of 2012?


I’d have to say collecting and printing my comic strips at this year’s Sticky zine fair, was a lot of fun and I got lots of positive feedback which is always nice. Another highlight was visiting the Small press Expo in the states and getting to see comic Gods, Ware, Burns and Clowes all in the same room.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

Joseph Lambert. I picked up his book ‘I will bite you!’ at SPX this year. His stories are playful, beautiful and surreal. ‘Turtle keep it steady’ from that book is probably my fave thing this year.

What is something non-comics that you have enjoyed in 2012?

I saw a retrospective of the Quay brothers at Moma that was amazing.  After pouring over their animations at art college it was mind blowing to see their stop motion sets first hand, So beautiful and creepy.

Have you implemented any significant changes to your working methods this year?

I came to a realisation that doing super clean artwork is painful and I just don’t enjoy it anymore, for my personal work at least. Swapping to brush pens was a big step, It gave my line work a bit more of a lively feel, plus I’m able to produce a page much quicker now.

What are you looking forward to in 2013?

For those who are members of the Mini Comic of the Month club I’ll be releasing my 16 pg mini in January. I'm a few pages in and really enjoying it. I also have a chapter in Jason Franks next Sixsmiths book, which I’m pretty chuffed about. I’m also looking forward to finishing my long form comic sometime next year as well, it’s well overdue. As for other people’s work. I’m super keen to see Tim Molloy’s next book as well as more of J Stew’s Giants.

Sunday, December 9, 2012

2012 in Review: Scarlette Baccini

Scarlette Baccini

What have been your personal cartooning/comics highlights of 2012?

Being a part of the Big Arse 2 launch was really special. I launched Zombolette, which is a collection of my comics about a zombie and her mutant guinea-pig best friend. Over the years I've come to care deeply for these characters, and I was really proud to see it all finished and in the hands of real-life nerds.

Watching Graphic Novels! Melbourne! at Readings with the good vibes of the local comic book community was also a mega highlight. I've always been a bit of a hermit in comic book land, but there's a real buzz in Melbourne comics at the moment, and finally being a part of it this year has been wonderful. The film kind of summed it up for me.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?


This year I discovered Warren Ellis, who created such a massive and wonderfully realised world that I felt totally lost in the landscape. I also very happily discovered about a zillion local creators. Tim Molloy's It Shines and Shakes and Laughs was so moody and delicious, I
can't wait to see more of his work. Ben Hutchings' Lesson Master killed me, and I think Walking to Japan is one of the loveliest creations I've seen. Discovering the prolificacy of Frank Candiloro was also really inspiring.

What is something non-comics that you have enjoyed in 2012?


Seven Psychopaths! Possibly my favourite film of 2012. I'd been having conniptions over drawing a lot of violence in a new comic I'm working on, and that film helped me to sort out my feelings on the matter.

Have you implemented any significant changes to your working methods this year?

I used to be very haphazard about drawing, and so years of strangling pencils whilst sitting awkwardly on the floor has given me pretty awful RSI. A few months ago I got my hands on a proper drawing board, started sitting at a desk, and learnt how to use brushes. It's been a bit rough learning to use all these new tools, but I'm sure I'll thank myself later.

What are you looking forward to in 2013?

Finishing a Zombolette graphic novel, and a few other shorter projects that are a bit out of my comfort zone.