Monday, December 17, 2012

2012 in Review: Matthew Hoddy and Caitlin Major

 Matthew Hoddy and Caitlin Major

What have been your personal cartooning/comics highlights of 2012?


Matthew: The highlight for me was going to all the conventions. Just getting out there, meeting everyone. Both fans and other creators. It helped me feel like this is definitely the right path I should be taking. Especially after some of our more successful outings. Was some real positive reinforcement.

Biggest highlight though was the Brisbane Supanova in November. Our first con was a year before at the Brisnova, in Nov 2011. We knew absolutely NOTHING about cons and had two issues of Space Pyrates to show off. Our wall was pretty much bare (with the exception of our banner and a couple of prints). We were offering cosplay commissions for just $10 and made absolutely no money from the weekend. BUT, we had the greatest time. Everything about it just felt right. Each subsequent convention we attended we learnt something new and put it to practice for the next con. So, to do a whole years worth of cons and come back home with all that knowledge? It felt like everything came full circle.

We've made a bunch of great new friends and discovered things I didn't even think could exist in Australia. Plus, added extra bonus? We found that Brisbane actually has a thriving comics community. Who'd have thought it, right?
 
Caitlin: I guess the biggest highlight of 2012 is the number of people that are reading Space Pyrates, whether online or in print. We've had a lot of positive feedback from our readers and the general public and it seems the amount of readers has increased tenfold since we started out in  Jan 2011. It's the best feeling in the world when someone recognises us at conventions and has read the comic online and really liked it. It feels like I'm finally becoming a real comic book artist!


Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?


Matthew: I discovered Atomic Robo this year. By Brian Clevinger and Scott Wegna. Both are from the US. The tone, writing and artwork just speak to me. Burned through all 6 published trades and have been buying the single issues of 'The Flying She Devils' as they're released. I've never really been into buying the singles and usually just buy the collected editions if they look interesting. But this series? Man, it has got it claws into me something fierce.

I mean, one of the villains is a time travelling dinosaur scientist that uses sub machine guns and can talk. Plus, it's owner created. Which is exactly the sort of thing we'd like to do. So I look to creators like that for inspiration. Overseas and at home.
 
Caitlin: I've been seeking out other female comic artists this year and I've really been enjoying Hope Larson's comics. She's got a great art style and a real knack for storytelling, and I love a character driven story as much as the next person! I've also been reading Jane Mai's autobiographical comics online (I'm still waiting patiently for my copy of her printed comic to arrive in the mail) they're really cute and funny.


What is something non-comics that you have enjoyed in 2012?


Matthew: Something non-comic related? Oh man... I don't know... Feels like I've been neck deep in comics this whole year and can't remember anything else! Paranorman was a great stop-motion film from the studio 'Laika'. We do a bit of animation ourselves, and that movie in particular I appreciated a great deal. Dredd was really cool. LOOPER, oh man, that was a great sci-fi film despite it's plot holes (albeit time-travel related).

Did see Bill Bailey live. That was a hell of a lot of fun too!

Caitlin: I've been enjoying Gravity Falls a lot lately. It's like the new Adventure Time! Cute and funny and awesome and I absolutely love the art direction. It's probably the best thing to come out of Disney for a long time.

Have you implemented any significant changes to your working methods this year?


Matthew: The whole process of making Space Pyrates has been about learning. It's taken two years to get the this point and we're not even done! While I could draw before, albeit crudely compared to now, just pushing my artwork has been the biggest change. Thinking about it more critically and looking at what I could do differently to make thing better. Streamlining the whole process on my end anyway, from thumbnail sketches to finished & inked page. I've been watching a bunch of artists and trying to learn their tricks. Still need to learn a whole lot more though!
 
Caitlin: I wouldn't say significant changes, but I'm constantly trying to improve my work and I am always inspired by other artists to try different styles or techniques. Space Pyrates was intended as a learning exercise, to experience creating a comic and get my head around the production process and best practises.

What are you looking forward to in 2013?


Matthew: Finishing this story arc of SP and having it printed. Then? Touring around to all cities for conventions to promote it. Looking at relocating from Brisbane at some point too. Depending on work. Also looking forward to starting something new comic-related and promoting the hell out of that. Big plans!

Caitlin: We're releasing the collected edition of Space Pyrates next year so that's very exciting, I can't wait to have that tome in my hands! We've got a lot of conventions planned to promote the book and it's always fun going around and talking to people about comics. I'm also starting to work on a solo comic project, which is slightly different in tone and style to Space Pyrates, so looking forward to that too!

2012 in review: Cory Mathis

Cory Mathis

What have been your personal cartooning/comics highlights of 2012?

Finishing another mini-comic and getting up to the Armageddon Expo in Auckland to sell it. Earlier this year I did a week long comics class with Dylan Horrocks. I got heaps from it and was great to meet him.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

Some local talent - Karl Wills' Princess Seppuku and James Davidson's, Moa. I get totally amped when I discover great stuff being made locally. From overseas, James Stokoe's Orc Stain graphic novel was a wonderful gift from a friend in the States and I'm getting awful excited about Mike Mignola getting back into drawing the next Hellboy arc. Also found the original Nausicaa paperbacks which have completely blown me away.
 
What is something non-comics that you have enjoyed in 2012? 

I play a few video-games and I am finding it exciting the amount of original quirky games coming out by smaller independent studios. The PS3 game, Journey was a particular highlight for me.
 
Have you implemented any significant changes to your working methods this year?

I've been getting into a fair bit of dip-pen inking and watercolours, just to balance out all the digital work. That and pushing myself to use more colour and keeping at the figure studies - yip, student life. I think the most important thing I've done is really slow down and take my time with things, both reading and creating. I have a habit of power-reading and churning out pictures then regretting it later.

What are you looking forward to in 2013?

Bringing it all together! That, and an illustration show early next year. I am working on a series of pieces that has nothing to do with dinosaurs!

2012 in Review: Dean Rankine

Dean Rankine
 
What have been your personal cartooning/comics highlights of 2012?

Continuing to contribute the occasional comic to Simpsons and Futurama has been an absolute blast. Starting my own project, 'Itty Bitty Bunnies in Rainbow Pixie Candy Land' has been long overdue heaps of fun.

Also being a guest at both OzComic Con and Armageddon Expo were definite highlights. I was treated extremely well by the organizers and I got to me some really great people who've been very supportive of my work.


And just generally feeling pretty proud of the artwork I've made of the year.


Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

I had the pleasure of meeting Agnes Garbowska earlier in the year. And I have to say her work is pretty damn adorable - http://www.facebook.com/agnesgarbowska?fref=ts

What is something non-comics that you have enjoyed in 2012?

I've been lovin' Dr Who at the moment.

Have you implemented any significant changes to your working methods this year?

I bought one of those cintiq wacom tablets (either late last year or early this year. I can't quite remember). But I swear, that thing has changed my life. I do all my 'inking' on it now and just love it.

What are you looking forward to in 2013?

I've got about 8 more pages to go on 'Itty Bitty Bunnies' and I'm looking forward to exposing them to an unsuspecting public.

I'm really hoping to be doing more Simpsons stuff. And I'm working on some try-out pages for Spongebob. So wish me luck!


The official announcement hasn't been made yet but I'm coming over to New Zealand mid next year! Woo-Hoo!



2012 in Review: Mat Tait

Mat Tait

What have been your personal cartooning/comics highlights of 2012?
Just getting a few pages finished that I was happy with.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?
Carl Barks via the great Fantagraphics reprints. It was nice to discover work that I've heard so much about lived up to the billing.

What is something non-comics that you have enjoyed in 2012?
I've been enjoying poring over a massive collection of Piranesi's fantastically detailed and grandiose etchings (via a cheap 2 volume set from Taschen - well worth a buy).  Best movies I've seen this year: Drive, Kill List, and The Battle of Algiers.

Have you implemented any significant changes to your working methods this year?
Mainly making sure that I draw every day, no matter how little, or how busy I've been with other stuff. It gets things done and avoids The Fear.

What are you looking forward to in 2013?
Getting some of the stuff I'm working on completed, maybe getting some stuff into print.

Sunday, December 16, 2012

2012 in Review: Bruce Mutard Part Two


What is something non-comics that you have enjoyed in 2012?

Crikey, I've been away so much that I've seen hardly any movies on the big screen and not a huge amount on the box, either. Anyone who's seen my DVD collection knows I'm a huge movie fan.  OKay, like so many others, I got tuned into the Game of Thrones show and it is fabulous, though I have reservations about all the women being either vixens or whores. The books are great, too. I also decided to follow up on the fuss over the Hunger Games and it was a cracking read - great positive female protagonist who has the awkwardness of a teenager still within her. The film version was quite good, but I can understand why it couldn't be so brutal as the book.

2012 was the year of the popular series, so I've also taken to Stieg Larsson. The books are great reads, though again, for someone who professes to be so caring about women's rights and anti sex-trafficking, Larsson does give undue detail about his female characters sex lives and his male protagonist is a middle-aged unremarkable bloke who seems to have a lot of women hot for him. If you're going to watch it on film, watch the Swedish original TV series version with Noomi Rapace - the cinema forms were cut down from these. Blindingly good thrillers. The big Hollywood version was alright, but sort of unnecessary. Sticking with Sweden - one of the best vampire films I've seen is 'Let The Right One In'. So… Swedish, but so in tune with alienated kids. Powerful. 

I also have become a fan of Once Upon A Time series. Very good mash of all the old fairy tales with twin storylines weaving in and out of storybook and storybook. It's never twee, quite intelligent and the original back-stories to some of the Grimm characters is often pretty insightful. 

Of course, Homeland was a ball-tearer. As was Boardwalk Empire (which I still haven't finished). Australian shows worth a look were things like Rake, Redfern Now (though at times self conscious), Howzat! We have a ton of cinematic talent in this country and too few opportunities to make good use fo them. 

Okay - a big plug  for Dan Hayward's This is Roller Derby as well. Really caught the essential spirit of this girls only grass roots sport. I love their 'fuck you' attitude. Get the DVD.

And another for my dear friend Mira Bartok's 'The Memory Palace' book - how such an upbringing could produce such a lovely person as her and her sister, proves there is far more to nature than nurture. Their mother was clearly a brilliant mind hijacked by schizophrenia. Turns out their mother was a huge fan of comics too, only she never let on. 

Of course, travelling a lot allowed me to see a huge amount of art and architecture that I've only ever seen in books. By far and away the best major art museum that I've seen so far is the Prado in Madrid - gosh, you only have to walk into the room with Goya' Night Pictures to realise what heights art can attain. The Prado is blessed with huge collections of two of the best painters who ever lived in Goya and Velaquez, who were both Spaniard and court painters, so I guess the Prado being made of the royal collection, they had an advantage. But it also has Bosch' 'Garden Of Earthly Delights' which is something any art lover has to see in the original.

Whilst in town, see the Thyssen-Borezma collection of modern art which is one of the very best I've seen. Also saw a lovely retrospective of Odilon Redon whilst in town. Picasso' Guernica is also worth the pilgrimage. Seeing Duchamp' collection at the Philadephia Museum of Fine Art was amazing. I paid my repsects to 'The Large Glass' at last. The Barnes collection in the same city is amazing though way too much of Renoir, whom I have no time for his endless soft porn pics of pudgy women and twee kids.

Barcelona - the famous uncompleted Gaudi cathedral - it is truly, truly breathtaking - a work of astonishing beauty. But the 12th C El Sur cathedral is also gob-smacking beautiful - I'm never short of being astonished at what medieval craftsmen could achieve. And the Guggenheim museum in Bilbao lives up to and exceeds all expectations. But Bilbao itself is more than this museum too. I did see Leonardo' 'Last Supper'  in Milan, too; yes, it is quite remarkable and more so how it survived the rest of the building being leveled in WW2. I could go on and on. Shows - saw a a few of them, too. 'A Funny Thing Happened on the Way to the Forum" with Geoffrey Rush was fabulous. I'll stop now. 

Have you implemented any significant changes to your working methods this year? 

Well, if by that you mean I have spent waayyy too much time traveling, doing shows, conferences, organising events and not enough at the drawing board, then you'd count that as a change. It's one I welcome, but I have to scale back. I have a book to do and in answer to my most FAQ: yes, the Fight is on the way but not due out until April 2015. In terms of working methodology, yes things are changing all the time. I write more with pictures these days than with words - akin to my core thesis of what comics are. 

What are you looking forward to in 2013?

Gosh where to start again?

Um… well, clearly the Caravan part 2 heading to TCAF in May. I wil also be presenting at the International Comic Arts Forum in POrtland,OR, that same month. I will be hanging around stateside for a while and then heading to Italy to break the back of my Masters thesis project - a comic installation for a gallery exhibition.

Then the SPXO show in September - another Caravan style trip to showcase Australian and NZ art to the Yanks. It'll be something special and anyone who wants in, can come. Some funding will be available.

The Canberra residency.

Assuming and making use of my appointment as the holder of the Australian Society of Authors Comics and Graphic Novels portfolio. I have plans for this to take representation and the Australian industry to a new level.

Producing lots of comics somehow amidst all this. More events. more everything. Maybe find love too.

2012 in Review: Bruce Mutard Part One

 Bruce Mutard

What have been your personal cartooning/comics highlights of 2012?

Where can I start with this?

Bologna Childrens Book Fair - 15 times the size of Supageddacon and vastly more interesting. You'll never see such a concentration of illustration talent from all over the world. Amazing. I plan to create an Australian comics showcase to go there in 2014.

Meeting Robert and Aline Crumb at the opening of his retrospective in Paris.
Presenting papers on comics at University of Arts, London; Mansfield College, Oxford; Loughborough University.

Attending the SPXO, which was basically Artists Alley made up only of comics and about the size of Supageddacon. Amazing.

Meeting Chris Ware, Charles Burns, Dan Clowes, Adrian Tomine, Los Bros Hernandez and Francoise Mouly at SPXO. Okay, so I'm a fame junkie. Sue me.

Winning an Australia Council grant to produce the Fight in 2013-14.

Winning an Australia Council grant to take Caravan of Comics to TCAF in 2014.

The Graphic Novels Melbourne Filming process and premiere - even if I did look like a sad sack at the end. Adam Sandler will have to play me in the fictional version of my life.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

Mirranda Burton - her book 'Hidden' is brilliant and she has some exciting projects up her sleeve. 

Jesca Marisa is a Sth African expat who now lives in NZ. I met her at Sydney Supanova. She has a book called Awakenings that is ravishingly beautiful to look at. She is also an animator whose films are equally good. I am reminded of Miyazaki. She has work to do on her storytelling, but she'll go far I'm sure. She'll be at Big Arse 3 to launch her book in Melbourne. 

Lisbeth Russell, known by her stage name Black Betty, I met at Perth Supanova, is an ex-pat Dane who is a cartoonist, designer, burlesque artist and model for off-mainstream fashion and photographers. She's in Perth and has become a really good friend of mine. Talent to burn. 

 Marijka Gooding is a recent graduate graphic designer I met at a talk I gave at Monash Uni, whereupon it seemed clear she had a very strong interest in comix. I caught up with her later in the year when I recommended her as a designer to Milk Shadow Books and 12 Panels Press. She will also do the design work on books I am publishing  - under Fabliaux imprint. She wrote and drew a comic, Strange Behaviour for her Honours thesis and it is an amazingly accomplished book notwithstanding the fact it's her first. The book's not up on her site unfortunately. 

Badaude (real name Joanna Walsh), whom I met as a consequence of sharing a panel at the Melbourne Writers Festival. A writer/illustrator of observation and life. I still haven't seen her book though one was meant to be sent to me. Interesting woman though I wouldn't say we hit it off in any brilliant way. Worth a look though. 

Caitlin Pesky of Pesky Studios. Met her as a consequence of being invited to participate in an exhibition she organised for the Fringe Festival called This Is Melbourne. She worked in the rag trade (desiging the anonymous images that go on all the clothes for chain stores like Target and Kmart). She has moved out of it to become an illustrator and artist who can at last sign her name to her work. 

Serena Geddes - whom I met in Bologna, is a very talented and lovely woman who is primarily a picture book illustrator. 

Lesley Vamos - another I met in Bologna, coming from an animation background and now does primarily picture books and some comics. Incredibly fast and reminds me a lot of Doug Holgate in style. You should see her go when she is sketching for food… whooboy.  

And check out Dan Drobik who just emailed me for advice. Just graduated from Monash fine art, too. Referred to by a good friend of mine who was a fellow student and orthodox Jewish grandmother (not kidding). She wants Dan to go on the straight and narrow. What, and waste a good filthy mind like this? http://creativelydisappointing.tumblr.com/

Tamryn Louise - another ex pat Saffa, whom I've not met, but put onto by Jesca and Neville. 

Also, the poster artist for This is Roller Derby, Dave um… forgot his surname. Gosh this bloke is better than good. He even digitally paints using a mouse! NO!

2012 in Review: Doug Holgate

Doug Holgate

What have been your personal cartooning/comics highlights of 2012?

It's been another pretty busy year, but I think having a book I worked on for Harper Collins, Planet Tad, featured briefly on the Daily Show, winning gold in a category of the Illustrators Australia awards and the Oz Comic-Con events in Perth and Melbourne were all standouts.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

I seem to find new cartoonists and illustrators every couple of weeks, it's kind of part of my process I guess, to keep inspired and connected to what is going on in the world, so it's hard to list them all. But the people I've come back to numerous times this year (as well as in some cases formed some new friendships with) would be Jez Tuya (Brilliant, inspiring up and coming cartoonist and character designer from NZ), Rebecca Dart (Everything she touches is amazing, incredible character, energy and fun).


Tristan Jones (Probably one of the biggest inspirations for me this year in pushing myself to get a little looser and quicker with my own work) and Tony Cliff (Artist on one of my favourite comics/webcomics from the last decade I think, Delilah Dirk). I haven't really read much in the way of comics, but of what I have read Craig Thompson's Habibi stayed with me for weeks after reading. The new Prophet series (Brandon Graham and Simon Roy) from Image comics is a great big ridiculous space opera and Infinite Kung Fu by Kagan Macleod was a fantastic love letter to the history of kung fu in pop culture.

What is something non-comics that you have enjoyed in 2012?


Lots of great movies, Looper, Cabin In the Woods, Dredd, Argo. My one major love outside of cartooning is history and politics, in particular the United States, so i was pretty consumed by the 2012 US election the last 12 months. I've been reading a lot of crime fiction this year especially a number of George Pelacanos' novels plus a lot of visits to the Zoo and the Melbourne Museum this year with the 3 year old.

Have you implemented any significant changes to your working methods this year?

Most of my freelance work is very clean and tight and as i said earlier, inspired by work the likes of Tristan Jones, Simon Roy, Toby Cypress, I've tried to play around with being a little looser with my personal work. So playing around with more blacks, textures and freeing my line-work up a little bit. Hopefully i can take a few more steps in that direction next year.

What are you looking forward to in 2013?

Getting my all ages graphic novel, Clementine Hetherington and the Ironwood Race, co created with and written by Jen Breach further along and to hopefully find her a home (Clementine, not Jen). Completing the Rombies: Ex Legio Mortis graphic novel, written by Christian Read for Gestalt Comics and some other comics and book illustration projects I can't really talk about just yet. The release of the first and second books in the Case File 13 series from Random House and hopefully another Planet Tad will be out next year. I also missed out on a number of planned OS trips this year due to timing and finances so hopefully carving out some time to get to TCAF, SPX or NYC con as well as some more local shows would be great!


2012 in Review: Gregory Mackay

Gregory Mackay

What have been your personal cartooning/comics highlights of 2012?

Witnessing the opening of Squishface Studio the year was great, knowing there are a group of cartoonists just down the road is reassuring. Also the reoccurring Big Arse comics launch is great to see. The Chugnut retreat was a highlight, it's great to work alongside other cartoonists with few distractions and get some serious work done as well as hangout with people who are doing such great work. I enjoyed staying in the little huts and walking around at night.

Having my comic 'Slow Panic' published in the Tasmanian Literary Journal "The Island" was great. The comic, which won the Lord Mayors Creative Writing award for best graphic short story, was also published in the French Turkey Comics at around the same time.

The Comics Caravan trip was an epic journey, we covered a lot of ground and saw some amazing comics as well as touring New York, Toronto and Chicago. Meeting Chester Brown and having him remember my old comics was very special. I really liked touring around in cars and vans with so many great cartoonists, in such inspiring surrounds. MOCCA fest was really energising in New York, as was TCAF in Toronto. Seeing the basement at Quimby's Books and seeing The Trials of Francis Bear on sale there completed a long time goal.

Launching my new Francis Bear book at the Melbourne Writers festival was also a highlight.  Working with James Andre of Milk Shadow books was fun as we got the book to print in record time. I wasn't sure about  speaking in front of a big crowd like that, but I don't think I did too badly. Releasing the book has been marvelous and it's great to get so many new readers.

I travelled to Florida to participate in the Atlantic Centre for the Arts Graphic Novel residency. It was a three week residency with master artist Dean Haspiel. We hung out in the Florida sun and worked on and discussed comics and storytelling. I made some great new friends and learned a lot about comics in general. Megan Kelso was also great to chat to at the residency and in general all of the 24 cartoonists and writers were amazing to learn from. Talking to Tom Hart about Francis Bear was insightful, as I had identified a few areas I could have done things better.

I then traveled to New York again for the Brooklyn Comics and Graphics Festival. I was caught up in Hurricane Sandy so getting around New York was a bit tough for a few days. After chatting to Chris Ware on the streets of Brooklyn and conversing with Charles Burns at the festival after party, the problems of staying in a disaster area seemed to vanish. Desert Island books were great in taking on the new book as were so many other comic shops in NY.

Being involved in projects that formed out of the residency has been a great challenge too. Filming for Graphic Novels Melbourne was great, even though I ended up on the cutting room floor. Seeing such a great and well realised film about local comics is truly heartening. Being a part of a separate documentary short film about my work was also interesting, look for it in the new year.

Self Publishing one 180 page book and writing two new books and working three jobs has been tiring, so I haven't had time for a lot of things I wanted to be a part of.  Getting picked up by Milk Shadow has meant a lot. Next year won't be as packed, so intend to get more comics done.
 
Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

I discovered the work of Abner Dean and the incredible Gluyas Williams. These are comics greats from way back. Recent people would be Julie Wertz, Dustin Harbin, Michael DeForge and Julia Gfüroer plus many others.
 
What is something non-comics that you have enjoyed in 2012?

I enjoyed watching the Presidential Election unfold in New York, my new comics buddies shed a tear during Obama's acceptance speech. Being in NY for the Hurricane was especially strange. Attending the ballet to see Swan Lake was pretty special, I was really stunned by the spectacle and energy, I love how the crowd boos the villain at the end. Seeing the new 4k print of Raiders of Lost Ark, was cool. You can see the edges where the effects have been spliced in. Going to MOMA, The Guggenheim, The Met and just hanging out on the streets of Brooklyn all informed my work. Playing the survival horror game Day Z at home on the PC got me through a lot of dark times, finally an emotional  game with no objectives that's endlessly playable.

Working as an Associate Director of The Other Film Festival was an experience. Getting to be a part of such an important festival here in Melbourne was really educational. Seeing so many films about disability that really emphasise the lived experience of people with a disability was edifying and emotional. Chatting with filmmaker Adam Elliott about story telling and animation was intriguing and I think I learnt  a lot from him about starting projects. Traveling throughout Australia for my regular job took time away from my comics, but allowed me to travel overseas and have great adventures.
 
Have you implemented any significant changes to your working methods this year?

I was always criticised for working small, so many people work on a huge scale. I tried this for a while on my new book only to realise during the residency that I should work actual size like Francis Bear. This has made a huge difference in my work surprisingly and I feel I can get a better result. Sticking with the Brause no 18 nib has been important, I was thinking of changing to a Nikko nib, but after a while I could see that I could get a unique recognisable line from the Brause. I love Multi-liners with their replaceable parts, but Microns can take so much more punishment it seems.
 
What are you looking forward to in 2013?

I have some new books in the works, and I am looking forward to finishing those. I have decided to give Francis Bear a short break to work on something else completely different.  I am also working on a children's graphic novel and several other short and long term comics projects.