Thursday, January 17, 2013

Cereal Adverts - Australian Women's Weekly

A selection of cereal adverts from the 1940's Australian Woman's Weekly. The first four Vita-Brits adverts are signed Hannan and are likely the work of Jim Hannan (John Thomas Hannan), a freelance commercial illustrator based in Melbourne, who was active during this period. Australasian distributors Gordon and Gotch were amongst Hannan's clients and he also illustrated books and produced recruitment posters during World War One.









 
 Source: trove.nla.gov.au

Wednesday, January 16, 2013

Salt Cover Gallery

SALT was published fortnightly during World War Two by the Australian Army Education Service and distributed free to all ranks among all Australian troops in Australian and adjacent territories, and Royal Australian Navy, to inform, entertain and educate service personnel. Published in digest size, initial covers featured text descriptions of interior contents but eventually illustrative covers were employed featuring work from many cartoonists and illustrators of the time. SALT featured work from troops, staff writers and artists in the form of articles, illustrations, stories, poetry and cartoons.










Tuesday, January 15, 2013

Illustration Diversion: Places and Chases

 Jungle Man © Gary Venn

I'm late to this but thought it worth mentioning for folk passing through or living in Hamilton, New Zealand. Places and Chases, an exhibition of illustrations by Angela Keoghan and Gary Venn, is in it's last week at The Framing Workshop, 120 Silverdale Road, Hamilton.

Artist bio's from the Framing Workshop,

Angela Keoghan

Angela’s illustrations continue themes of exploration and discovery, which are commonly found in her work. In this exhibition they are based on a fictional narrative of a Wild Goose Chase set in the Victorian era. Her characters always seem to be outwitted by the wild and elusive, the curious and the playful goose and their hunt continues on and on becoming legend. Angela is an award-winning illustrator from Hamilton, New Zealand. She runs The Picture Garden, a freelance company specialising in Illustration and Photography.

Gary Venn

“In my commercial illustration work I have recently produced quite a few illustrated maps – for clients such as Jamie Oliver magazine and EasyJet airlines in the UK, and I have enjoyed the specific challenges of producing illustrations which ideally work as a mixture of map, landscape and narrative illustration all at once. I thought that it would be fun to carry this sort of approach over into a series of prints for a show, and these were the result. It was enjoyable to be able to make images that worked like maps but could be more abstract and decorative.”



Places & Chases from Sarah Bradley on Vimeo.

Several years ago I used to drag poor Gary Venn up and down New Zealand with my noisy pop band, Amy Racecar. As well as being a talented illustrator Gary is a mighty fine guitarist as evidenced here:

  

Peter Foster - Johnny Red


Upon emigrating from Australia to England in 1979, Peter Foster touted his portfolio around comics publishers, securing an initial job with IPC on the following eight page Johnny Red story for the 1979 Battle Holiday Special. Foster was the third artist to depict the adventures of Johnny Red after original artist Joe Colquhoun and his successor John Cooper. To achieve the grey tones for this story Foster experimented with grey paint whereas watered down ink or watercolour paint were more commonly used.







 
 

Johnny Red © 2013 Egmont UK Ltd.

Monday, January 14, 2013

Russell Clark - Living in a Maori Village




Prolific New Zealand illustrator Russell Clark previously featured in posts here and here. Living in a Maori Village is another example of his work for publisher A.H. & A. W. Reed. Written by co-publisher Alexander Wyclif Reed who wrote many books about the indigenous people of New Zealand and Australia. Reed had no firsthand knowledge of the Maori, deriving his research from secondary sources. Reed considered his role as an author to be a populariser and simplifier.







Reference: http://www.teara.govt.nz/en/biographies/4r9/1

Saturday, January 12, 2013

Popeye - Langridge and Minhinnick


The Roger Langridge written and occasionally drawn Popeye series for IDW concludes with it's twelfth issue this year. Below is another New Zealand cartoonist's rendition of Popeye from 71 years prior, an editorial cartoon by Sir Gordon Minhinnick from The New Zealand Herald, 9 July 1941.

Click for bigger view

Minhinnick used Popeye to represent the might of 40,000 American troops stationed to Iceland to replace the occupying English forces two days prior to this cartoon's publication. Iceland intially declared themselves neutral during the war but found themselves occupied by German forces by 1940. After failed attempts to persuade the Icelandic government to join the Allies against the Axis forces, British Marines invaded Iceland on 10 May 1940.  The defence of Iceland by 25,000 British troops was transferred to 40,000 American troops on 7 July 1941, with American troops outnumbering Icelandic males at the time. (Iceland's population numbered around 120,000).

Source: http://en.wikipedia.org/wiki/Iceland_during_World_War_II

Friday, January 11, 2013

"Just Us" - Stopford Wrathall


"Just Us", a children's picture book from 1944, featured the vibrant illustrations of Stopford G. Wrathall and verse by John Brent. Wrathall uses a combination of painted art, line art, and crayon sketches to illustrate children's adventures as delineated by Brent. "Just Us" was published by The Morning Post Printing House in Rotorua.
 

The 19 December 1944 The Bay of Plenty Beacon reviewed "Just Us",

Outstanding Production

What promises to be one of the most appealing books ever produced for juvenile readers and of interest to adults as well, is a book "Just Us", which has a distinct local flavour. Written by an Opotiki author under the pen name of John Brent and beautifully illustrated in colour by Stop Wrathall, the book, in verse form, shows a very fine understanding of the working of the young mind, and it's humour will be appreciated by young and old. One of the many subjects dealt with in the book is the family's war effort and this will especially interest ex-Home Guardsmen.

Mention of Hukuwai, Ohope and Peter Petersen's and a large illustration depicting children damming up a stream at Hukuwai Beach will especially appeal to local children but it's appeal will also be widespread, and it should sell well throughout the Dominion.

The verse, illustrations and general layout in "just Us", are far superior to most of the children's books which come from overseas. Wrathall's genius in depicting children at play adds largely to the success of the work. The Printers, the Rotorua Morning Post, have spared no effort in this first-class production and are assured of a quick sale of the limited number of copies available before Christmas.

Copies of this book are now available at the local stationers. 
  
Click for larger view










In the 1950's Wrathall illustrated promotional material and cartoon maps of Waiheke Island and Rotorua.

 Click for larger view

Wrathall and Brent collaborated on a follow up in 1954, Meet The Chactadee, published in England by WM. Collins Sons and Co. Ltd.


Sources: http://paperspast.natlib.govt.nz/cgi-bin/paperspast, http://waihekenews.weebly.com/old-waiheke.html