Sticky Institute Zine Fair: Victoria Drug Scene

 
Simon Hanselmann's "Australian" anthology, Victoria Drug Scene issue one.

From Girl Mountain:

VICTORIA DRUG SCENE issue one. officially launching this Sunday, the 10th, in the Melbourne city hall, at the zine fair therein. I made an “Australian” anthology. highlights include: 9 pages of new megg and mogg, a 12 page html flowers epic, new work from lashna tuschewski, michael hawkins, marc pearson + many more awesome people + special international guest josie mairead king edwards (who, if this were a reality television contest and not a zine, would have won). 76 pages. cheap xerox. 200 copies. numbered. (available soon for online international orders through www.silentarmyshop.bigcartel.com).

Hanselmann will have a fine selection of offerings at the Zine fair this Sunday, previews here.

..and geez louise get your hands on a beautiful Hanselmann broadsheet courtesy of Floating World Comics.

  

2012 in Review: Michael Hawkins

Michael Hawkins

What have been your personal cartooning/comics highlights of 2012?

My comic highlights this year were threefold.  Mid year I went to the states and Canada on a comics tour, met heaps of awesome talent like Pat Aulisio, Lale Westvind, Conor Stechschulte, Mollie O’Brien and others whose amazing work I was previously ignorant of. Second highlight would be watching the rising star of my good buddy and favourite cartoonist ever Simon Hanselmann. Thirdly meeting on a weekly basis with a steady group of drawing buds (Sam Wallman, Marc Pearson, Elliot Lamb and so forth) has made a great difference to my quality of life.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?
 
Best books? All of the above people. Also locally Grant Gronewald (HTML Flowers) and Katie Parrish and overseas Michael Deforge, Patrick Kyle, Leslie Stein and Derek Ballard. Seems to be a lot of people working at a peek level of inspiration and producing things in individual styles that seem extreme in their newness. Find it easy to point to a general vibe than individual books.

What is something non-comics that you have enjoyed in 2012?

Massively into Dennis Potter at the moment, starting with the Singing Detective and working through all his series and teleplays. Best book I read was We have Always Lived in the Castle by Shirley Jackson. Favourite five songs this year: My Time by Roberto Cacciapaglia & Ann Steel, In High Places by  Mike Oldfield, A Matter of Trust by Billy Joel, Myth by Beach House, Pyramids by Frank Ocean.

Have you implemented any significant changes to your working methods this year?
 
Swapped from photocopying to digital printing. Started a Tumblr. Also used to try and have one major comics series or project on the go at once, this year decided to just start a bunch and let them vie for my attention.

What are you looking forward to in 2013?
 
Organising an erotic art show with some of my favourite local cartoonists. Hopefully going to Brooklyn Comics and Graphics Festival.

http://comics-by-hawkins.tumblr.com/

2012 in Review: Pat Grant

Pat Grant

What have been your personal cartooning/comics highlights of 2012?

My first book came out, got reviewed all over the place and sold pretty well. That was a highlight. Also, going to America with the Caravan of Nerds was amazing. Michael Hawkins taught me how to eat doughnuts like a man and I came home with this massive belly. I've never done conventions before because fandom creeps me out a little bit, but I found it really interesting. I discovered some neat things about my drawing after being forced to draw in each book I sold. Doing this fast, high pressure, disposable art that I will never see again somehow liberated me from the clenched anus approach to drawing that I've always had.
 
Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?
 
I met some cool people in America. We met Sam Sharp and Jeremy Tinder in Chicago. They really do some great comics and I don't know that I would have met them had I not been in the States. Oh yeah, I've been enjoying watching my friend Sam Alden become this amazing comics ninja with every piece he finishes. I also had my honeymoon at his Mum and Dad's house in Portland which was strange but wonderful. Annie Koyama is possible the most fascinating person in comics. Who is she? Is she real? Or is she like, an angel sent down by the god of nerds to help up takeover the world?
 
What is something non-comics that you have enjoyed in 2012?

Breaking Bad, really surprised me. I just popped out of the cliched trope , you know, the "unlikely suburbanite flirts with the underworld" and has become something entirely more interesting. My favourite thing about it is the setting in Albuquerque, this amazing blend of  ghetto, desert border town, and leave-it-to-beaver suburbia.

Have you implemented any significant changes to your working methods this year?

Normally I draw big, sometimes three times the size of the reproduction, but this year what little drawing I have done has been at the exact size that I am reproducing the work.Here's what I've learned: It fucken sucks balls. Comics are supposed to be drawn large, as large as possible, and don't let any silly miniaturist tell you otherwise.

I've also been writing for an hour every week day. A sprawling crime-adventure comic that may or may not ever get drawn. Sure is fun to write though.

What are you looking forward to in 2013?

World War Z? Nah, kidding. I just want to finish of my stupid PhD so I can get a brainless job and devote more time to the next book.

 http://www.patgrantart.com/

Inherent Vice: Michael Hawkins

 At the recent Inherent Vice Residency I spoke briefly with Michael Hawkins.

What is the average day like at Inherent Vice?

I try to make it in as much as possible, usually I come in around 10am or 11am. I settle in, say hi to everyone, and decide what I want to do for the day. I've got a major project I'm working on which is a series of inter-connected stories. I try and set some sort of goal ahead like today I've penciled up a couple of pages which was my goal to at least get done. I've got that done now and I'll see how much I can ink and so forth. The rest of the day consists of just drawing comics, chatting to the public if they pass my desk, and usual stuff like eating, sometimes going out for a beer with the guys, or whatever happens.

What has it been like having the general public walking through your studio?

It can be a little distracting from time to time. The flip-side is the fact you have people seeing what you're doing as you're doing it and appreciating your work which is very encouraging and very motivating. As you probably know from drawing comics at home it can get a bit tedious. You get sick of doing it and you just want to go do something else. You know you're not going to get that positive feedback or validation until weeks or months down the track so having that instant feedback from the public can help you keep going.

What are some of the artists and comics that interested you in making your own comics?

I got into comics when I was about fifteen. I had always been an artist and I drew cartoons as a kid but decided I wanted to be a more serious artist. When I was in high school I was really into films 'cause I had that narrative impulse and I wanted to do something like that. Thought maybe I'd be a film maker then I discovered what was coming out of Fantagraphics at the time, Dan Clowes, Charles Burns, Jim Woodring, and so forth and that's when things clicked for me and I decided I wanted to be a cartoonist. 

More recently I've gotten really into the Kramer's Ergot stuff, artist's like C.F. and Dash Shaw that have more a lo-fi look and a certain kind of crazy trippy fantasy vibe. My friend Simon Hanselman is a constant source of inspiration. He's probably my favourite cartoonist out of anyone. He does the best comics I've ever seen and is always an inspiration to work harder.

What tools do you use to make comics?

I use a pacer to pencil with and for outlines I've got a special fountain pen for drawing from a Japanese site called Jetpens, fine point Manga illustration. Most people think I'm doing my comics in watercolour but usually it's with grey felt tip pens. I've got a couple of Copics which give a good flat gray. A couple shades with those and a couple with Faber Castell Pitt Artist pens which are a kind of a warm fuzzy grey. They're warmer in tone and the texture is softer and fuzzier. They last a little while but they don't keep their point for as long as you'd want them to. I use a little bit of grey water colour as well. I have another pen from Jetpens,  a brush pen that is refillable, it's like working with brush and ink except you don't have to dip. I use that for blacks and some of the stronger outlines.

Hawkin's Corey the Dweller in the Hollow has been released in a limited release run and will have a wider launch through Blood and Thunder.
 

Inherent Vice

 

 The NGV Studio

From July 16th - Aug 14th, Eight Melbourne Cartoonists have recreated their studios in the NGV Studio for five weeks of intensive cartooning. Mandy Ord, Ben Hutchings, Sarah Howell, Michael Hawkins, Simon Hanselman, Michael P. Fikaris, Pat Grant and Rebecca Clements have all inhabited the NGV's Atrium for the last few weeks with an open studio space allowing visitors to come see them work and chat about their projects. Amongst the drawing tables and art supplies the artist's have personal libraries of inspiration, Individual displays of work in progress, and the large far wall is a collage of pages of comics, paraphernalia, gig and exhibition posters and work from other Melbourne cartoonists.

 Simon Hanselman

 Simon Hanselman's Megg Mogg & Owl

 Simon Hanselman's Casper

The NGV gallery space was created to engage with artists that would not normally have involvement with a large metropolitan gallery. Curated by Beckett Rozentals, Inherent Vice is the second residency since the creation of the studio.

 Pillar behind Ben Hutching's drawing table

Pat Grant

  Original pages of Pat Grant's Blue

Aug 4th saw a well attended 24 - hour comic marathon with a colour copying machine primed and ready at the far end of the studio. Rebecca Clements took it one step further producing a 36 - hour comic.

Come Inside My Body by Rebecca Clement - Click on pic for more info and to get your own copy

 Ben Hutching's Handball Heaven reaches to the Heavens

 Heads

Ord's Space

Michael Hawkins

Ben Hutchings

Comics Wall

Pat Grant
Mandy Ord
Rebecca Clements
Ben Hutchings
Micheal Hawkins
Michael Fikaris
Sarah Howell
Simon Hanselman