Showing posts with label jason chatfield. Show all posts
Showing posts with label jason chatfield. Show all posts

Friday, December 14, 2012

2012 in Review: Jason Chatfield

Jason Chatfield

What have been your personal cartooning/comics highlights of 2012?

Personally I've been very grateful to have served out my term as President of the Australian Cartoonists' Association with a great team. I could have been lumped with a board of people who don't want to get anything done, but the great enthusiasm of people like Jules Faber and Peter Broelman have been a huge support. The addition of Comic Book Artist as a category in the Stanley Awards/Year Book/Membership Category is a very good indication of where the club is headed; a broader, more accepting association for not just newspaper cartoonists. Also taking the club online was something I'm proud of having achieved. It's a step in the right direction for the industry's future.

Who are some of the comics creators that you've discovered and enjoyed for the first time in 2012?

I finally got to meet Chris Wahl at the Stanleys Conference. I've been a big fan of his work for years -his line-work is enviably perfect. I also got to hang out with Sam Viviano, Art Director of MAD Magazine. His movie parodies in MAD were always excellent, and he's a great artist to talk with about having a successful career of growing as an artist, instead of stagnating and doing the same work over and over.

What is something non-comics that you have enjoyed in 2012?

Glimpse, was a side-project I worked on this year of which I'm very grateful to have been asked to be a part of. It was a nice side-step from drawing a red-headed 12 year old all day. In short, it was a show with some incredibly talented Australian actors, with my work being projected and animated up behind them as they performed. I made a process video here: https://vimeo.com/54274483

Have you implemented any significant changes to your working methods this year?

Yeah - after spending most of my twenties as a night owl, working til 4 and waking at 12, I've gone to bed before midnight and got up early to work. I'm about as productive as before, but I don't feel like crap. I was dragging my body around and treating it like crap, slumped over the computer screen all night. I've switched to working at a Standing Desk now, with the Cintiq at about eye level. My neck pain has mysteriously disappeared.... How bout that.

What are you looking forward to in 2013?

Having more time to accept bigger projects, now that my time isn't as committed to the role of President. It was a rewarding position to be in, but it literally worked out to be like having a full time job for two years, on top of everything else. I'm doing my first solo show as a Stand-up in the 2013 Melbourne International Comedy Festival. Integrating the technology I learned doing Glimpse, I'm animating my work live while doing comedy. Could bomb terribly, but I'm trying it anyway. It'll be at 7:15pm at the Portland Hotel from 9th - 21st April 2013.

Tuesday, July 10, 2012

Paper Trail

Karl Wills's Princess Seppuku is now available in a Japanese edition from The Comic Book Factory. Wills reports number one has sold out of it's first print run and he is several pages into number two. First New Zealand comic produced entirely in Japanese? Possibly...

Princess Seppuku and the Hunt for Robot-X Japanese edition available here.

 Copyright 2012 Karl Wills

  Copyright 2012 Andy Conlan

Andy Conlan presents his children's book Mr Gloomingdale's Downpour in audio visual form.
 



Mike Alexander writes about artist and sometime cartoonist Elliot Francis Stewart for Stuff.co.nz

 Copyright 2012 Elliot Francis Stewart

To celebrate the creation of 600+ pages of comics over two years Sarah Laing is offering some hand compiled yearly volumes for some lucky readers. Read her latest post for details.

Copyright 2012 Sarah Laing

Smaller Comics are presenting a second year of MINICOMIC OF THE MONTH. 24 dollars for twelve mini comics from some of Australia's finest cartoonists. Sign up here.




Have a look at: Jackie Ryan's Burger Force

Copyright 2012 Jackie Ryan

Ryan featured on a panel covering writing for cross platforms from The 2012 Melbourne Emerging Writers Festival. View here.

Oslo Davis interviewed by Gather and Fold here.

Copyright 2012 Oslo Davis

Good Ok Bad reviews Pat Grant's Blue

Copyright 2012 Pat Grant

Paul Mason recaps his experiences at the Melbourne Oz Comic-con here.

Paul Mason and Doug Holgate

Dick Sargeson cartoonist Graeme Kirk is one of the contributing artists to Fracked a combined exhibition of Taranaki artists held at The Village Gallery in Eltham 30 September - 19 October.

Copyright 2012 Graeme Kirk


Australian Cartoonist Association President and Ginger Meggs cartoonist Jason Chatfield features on ABC's Insiders here. Chatfield discusses comics on Radio National here.


Today's Paper Trail is brought to you by two Maurice Bramley covers featuring his take on Marvel's Nick Fury character.


Saturday, May 26, 2012

Paper Trail

Fred the Clown Copyright 2012 Roger Langridge

Fourplay String Quartet's score for Roger Langridge's Fred the Clown comic Nowhere Special that was performed at the Graphic Conference in 2011 is receiving an encore performance today at 12:30pm (Sydney, Australia time) as part of the TedxSydney Conference.

You can catch a live stream of it here.

Langridge has calculated streaming times for other locales:

2am-3:30am Saturday morning,  British Summer time
9pm-11:30pm Friday in New York
6pm-7:30pm Friday in Los Angeles
1pm-2:30pm Saturday in New Zealand

Nice Day For A War Copyright 2012 Chris Slane and Matt Elliot

Chris Slane and Matt Elliot's Nice Day For A War was a recent winner of Children's Book of the Year and Children's Non-Fiction Award at the 2012 NZ Post Book Awards. Slane has also announced their book has gone into a second printing.

More info on Nice Day For a War here.




Interview with Sydney cartoonist Queenie Chan from 2012 Adelaide Oz Comic-Con.




Professor Jane Chapman speaking at Macquarie University last year with her 'Uncurated' lecture 'Comics and the representation of female war-time bravery in Wanda the War Girl (Australia) and Paroles d'Etoiles (France)'. As well as Wanda creator Kathleen O'Brien Chapman also speaks briefly about Sydney cartoonist Moira Bertram.

From the MacQuarie University description of her lecture,

Professor Jane Chapman from the University of Lincolnshire will present Comics and the representation of female war-time bravery in Wanda the War Girl and Paroles d’Etoiles. During the Second World War, an Aussie comic strip character called Wanda the War Girl was more popular than Superman: servicemen even painted her picture on their planes and tanks. What is the appeal of representation of women in 1940s comics as a subject? Why does historical nostalgia attract so many exhibition visitors? 

Wanda The War Girl from Perth Sunday Times 1943




 
Yoinked from Jason's Yfrog, here's Ginger Meggs cartoonist Jason Chatfield and Garfield creator Jim Davis at the Ruebens in Las Vegas.




New Zealand produced Online Magazine Werewolf is worth checking in on monthly with sporadic cartooning updates. Writer Mike Brown and Illustrator Mat Tait are producing some especially beautiful comics here.