Showing posts with label new zealand cartoonists. Show all posts
Showing posts with label new zealand cartoonists. Show all posts

Sunday, April 28, 2013

Paper Trail



I have a dickload of things to do this week so will try posting daily mini Paper Trails to offload my rapidly overflowing link pile.

Excerpt of  HTMLflowers’ comics from  ลก! #13 ‘Life Is Live’.



Dylan Horrocks talks Australian Comics with Bryan Crump on Radio New Zealand's Nights.




Jason Chatfield recaps and follows up on his horrific taxi experience from 2011.


New Squishfacers.
 


Roger Langridge interviewed on Where Monsters Dwell.



Tane Williams on tumblr.


Simon Hanselmann's Truth Zone is back at Comics Workbook and taking no prisoners. New installments #70, #71, #72, #73.

 
I made a new mini comic (Not for Young Folk). You can buy it from some place at some point.


Karl Wills has teased a Connie Radar short film currently in production. Shot from a script by Wills and Timothy Kidd.



Hey, here's a Connie Radar animation test from a little while back.



 Oh Gosh, it's the Connie Radar Dailies blog from a couple years back.


Have you ever thought about buying a Connie Radar t-shirt?

  
Paper Trail masthead courtesy of Toby Morris.

Sunday, March 24, 2013

New Zealand Capping Magazines Gallery

University Capping magazines were published in New Zealand from the early decades of the twentieth century through to the last decades although to the best of my knowledge have now ceased publication. Each annual publication featured writing, illustration, cartoons, comics and photos with of a satirical nature. Neville Colvin, Tom Scott, Nevile Lodge, Sid Scales, and Bob Brockie were amongst many of New Zealand's finest cartoonists with work featured in capping magazines.


 







 
 

Thursday, February 7, 2013

Sticky Institute Paper City 2013 Zine Fair


This Sunday 10 Feb at the Melbourne town hall, The Sticky Institute host their annual zine fair. The town hall will be packed with zines and comics from the small presses of Melbourne.


Silent Army will be launching the third issue of their comics broadsheet Dailies including a New Zealand cartoonist section edited by Tim Danko.

Order Dailies and other Silent Army comics from the Silent Army online store.


Thursday, January 24, 2013

Faction Comics TV Spot

A brief feature from TV 3 news on the recent New Zealand comics anthology Faction Comics featuring Faction people Amie Maxwell, Damon Keen and Artists Ralphi and Ant Sang.

Order print copies and free digital version of the first Faction Comics anthology here.

Monday, May 28, 2012

John Joseph McNamara

John McNamara self portrait showing travel between Woking (England) and Wellington (New Zealand) 1969

John McNamara was born 18th April 1918 and began his illustration career in his teens drawing caricatures of film, sporting and local personalities for numerous magazines including Paramount Theatre of Stars (1935), Standard (1936), Radio Record, New Zealand Sporting Life and Referee, Junior for NZ, Boys and Girls (1937-38), Clarion (1938), Cappicade (1937-39) and Katipo (1940). McNamara was a member of the New Zealand Cartoonist's Association which appears to have only existed for several years prior to World War Two.

 Life among the Japanese at Featherston. The New Zealand Listener, 11 January 1944.

After the War McNamara was Prinicipal cartoonist for Wellington morning daily The Southern Cross (1956 - 1951). McNamara's cheeky little Maori character was a recurring feature of the paper.

McNamara moved to England in 1950 and found work in British newspapers. The full extent of McNamara's work in England is unknown. McNamara worked for Amalgamated Press drawing issues of Thriller Comics, ranging from adaptations of Westward Ho!, The Red Badge of Courage and Hopalong Cassidy to the adventures of Dick Turpin and Robin Hood.  Two other early strips possibly published in the Daily Mail featured "Bats" Belfry, which had a horse racing background and involved bet setting and detective work, and an adaption of C. S. Forester's character Horatio Hornblower.

From the mid fifties to the early seventies Mcnamara illustrated the newspaper strip Paul Temple based on the popular BBC radio serial. McNamara died in Surrey in February 2001, aged 82.

 Original art featured in Southern Cross newspaper (1946-1951)

Caricature of radio broadcaster Colin Scrimgeour 1937

One of the most popular crime series of the 1950s and 1960s was Francis Durbridge's Paul Temple. Featured in the London Evening News since 1951, originally drawn by Alfred Sindall and subsequently by Bill Bailey with McNamara assuming illustration duties from 1954 until 1971. In the final years of the strip McNamara adjusted the look of his lead character to resemble Francis Matthews, who portrayed Temple in the Paul Temple BBC TV series (1969-71).

Steve Holland has serialised two Paul Temple adventures by John McNamara and Francis Durbridge on his Bear Alley Blog.

McNamara's work on Paul Temple is not generally available in print although many of his stories can be purchased from the All Devon Comic Collectors Club. A Society dedicated to preserving the sadly neglected English newspaper strips, The ADCCC are authorised to sell booklet reprints of Paul Temple and other strips exclusively to their membership. Details are available from The Newspaper Comic Strip Library website.

The following original art boards are for sale from the comicartfans page of Peter Hartung. Click to embiggen to see the exquisite detail McNamara put into his work.













Sources: http://illustrationartgallery.blogspot.com.au/2010/11/john-mcnamara.html , http://tapuhi.natlib.govt.nz/ , Peter Hartung , Bear Alley Blog. The Unauthorised Version A Cartoon History of New Zealand 1840 - 1987 2nd edition - Ian F. Grant.

Sunday, March 25, 2012

Comics Generation


Comics Generation is an exhibition featuring six young Wellington artist/writers showing their comic books and zines at Thistle Hall Gallery 28-31 March.

The artists- Esther Galloway, Sadie Galloway, Zora Patrick, Joel Spencer, Michael Sanders and Theo MacDonald- range in age from five to 17. Using a variety of methods and approaches to visual story telling they have invented SpaceCats and Skate Rats, delved into experimental cookery, created poetry from a cat's point of view, and reinvented fairy tales and television shows.

Theo Macdonald

I interviewed Comics Generation curator Claire Harris via email about the upcoming exhibition.

What was the impetus behind holding Comics Generation?

Paul Sanders (the writer of Spacecat Adventures, a comic he makes with his son Michael) approached me in my role as an organiser for NZCC to see if I could suggest other comic book makers he and Michael could hold a group exhibition with. I already had a special interest in comics and zines made by children and teenagers, so volunteered to curate a group exhibition of work by Michael and other young comics and zine makers.

Michael Sanders


Are there any common themes among the work of the participating artists?

One commonality that strikes me is the use of mashed-up references from their own reading and viewing, ranging from blatant cribbing of jokes and art styles, to more subtle allusions and reflection on their own media consumption. There is also an autobiographical theme to some of the work, and a vivid sense that work is grounded in the experience and personality of the artists.

Are any of the participating artists second generation zine/comic creators?

Yes. Michael Sanders co-produces 'SpaceCat Adventures' with his dad Paul. Ester and Sadie Galloway are the daughters of Bryce Galloway, the artist behind the long running zine 'Incredibly Hot Sex With Hideous People'. I'd say with a fair certainty that all artists involved have at least one parent who is a comic fan, or at least was supportive enough to photocopy their comics for them.


 Zora Patrick


Are there currently any dedicated zine stockist's in Wellington?

No, sadly. However the Wellington City Library has an excellent zine collection, and Graphic Comic shop stocks the work of the artists in Comics Generation.

How did you go about finding the artist's involved with Comics Generation?

The artists have all previously self-published comics and/or zines. I had become aware of their work through either distributing their comics through NZCC, or by seeing their work at Wellington Zinefest. Comics Generation recognises the accomplishment these six young artist have already made.


Joel Spencer

Is there much support or scene for young zine/comic makers in Wellington?

As far as I know Comics Generation is the first attempt to bring a group of young zine and comics makers together to exhibit, and I hope it brings about some collaborations or ongoing mentoring. Local comic shop Graphic is usually very supportive when it comes to stocking comics by young people. There are also opportunities for young zine and comics makers to distribute their work through art/craft markets and the annual Wellington Zinefest.

Thursday, March 15, 2012

Dailies


The first edition of a new comics anthology, Dailies, was recently produced by the Silent Army publishing concern. Contained within the pages of the striking 32 page tabloid newspaper format are sixty artists from Australia, New Zealand and Indonesia producing their takes on 'newspaper strips'. Established cartoonist's such as Tim Molloy, Tim Danko, Mandy Ord, Glenn Smith, Ben Hutchings and more feature alongside emerging young talent. Cartoons are presented in a variety of forms from abstract art comics to riffs on popular newspaper strips as well as dense multi-panel narratives.


Excerpt of Mandy Ord's Desperate Times

Each release will feature different versions of contemporary views of the comic art strips presented in black and white, two colour, and full colour spreads.

I asked Dailies Editor M P Fikaris a few questions via email about his latest project.

What was the impetus to publish Dailies?

There were a few really. But mostly, as with all anthologies I have published, to show the fine talents of my friends. Also, with dailies it is a little bit of an idea on doing things quickly and without too much pre design and study as most comics tend to be). I asked the artists to submit something in a short time frame, hoping not only to get us doing something without too much thought but also to get something that could be repeated and continued like the daily comics of old newspaper cartoonists.

 Excerpt from The Pox Girls Plan 9 From Outer Space

Some of the material in Dailies seems far removed from the concept of  'the comic art strip', some perhaps more in the realm of art comics, were there editorial guidelines for Dailies? Were you involved in editorial guidance with any of the contributors?

I asked a lot of friends, some with a more traditional comic strip making background and others who I thought were doing things that are very similar in nature to the comic strip. My mind is very open to comics in many mediums and I certainly don’t restrict a comic to squares on a page with characters talking.

 Excerpt from Leigh Rigozzi

 What was the print run of Dailies? Are you satisfied with the finished product?

The print run was 3000 copies. I am satisfied that it is complete, but there are certainly a lot of pips in it. It is the first time I have laid something out for newsprint and I have learnt a bunch of things. My budget was pretty low (but very gratefully it was covered by a fellow artist who wants to remain unknown) so I did it with a printer that was possibly less helpful than I could have hoped. The first issue is not about perfect layout for me but more about getting it complete and making it a progressive thing. The next issue is due in May this year and the following to come out in August, then again in November.

Were there any difficulties in assembling an anthology with this many creators spread out over the globe?

Yeah, a little frustrating – but that was the challenge.

 

Excerpt from 'Megg's Coven' by Simon Hanselman

Where is Dailies available from?

With this collection I plan to take it to the streets and sell it  like a paper – but with a twist. Combining my background as an artist on the streets and doing work with local theatre companies I am very excited to try something a little different … to have unadvertised ‘happenings’ each month in a Melbourne laneway… each will be plastered with the papers contents on the walls(done the night before) and myself and another dressed to impress with paper in tow ‘performing’ a selling technique I hope will make the paper a more interesting and mysterious collection of stories and artworks for all sorts interested in ‘culture’.


I have plans to do this next week and will be recording it for future reference.



Currently I am also selling it on the silent army website - www.silentarmy.org. and successfully at various art fairs/stalls and markets. The plan with this has always been to glue into laneways of the city and distribute through other less traditional comic outlets. Flexing creative flare instead of bending to the needs of the stores.
 
 All cartoons copyright 2012 their respective creators.