Selection of covers from Australian magazine Parade published during the 1950's. Cover artists are largely uncredited although I believe the first 5 years were illustrated by Frank Stackpool with John L Curtis his successor. View previous parade magazine cover galleries here, here, and here.
Sunday, May 19, 2013
Parade Magazine Cover Gallery
Selection of covers from Australian magazine Parade published during the 1950's. Cover artists are largely uncredited although I believe the first 5 years were illustrated by Frank Stackpool with John L Curtis his successor. View previous parade magazine cover galleries here, here, and here.
Saturday, May 18, 2013
Jim Shepherd Remembrance
Jim Shepherd - Managing Director and Publisher Frew Publications Pty Limited 1987 - 2013.
[Editors note: The following remembrance of Jim Shepherd, written by his wife Judith Shepherd, ran as the editorial in The Phantom #1663 published by Frew Publications May 2013.]
William James (Jim) Shepherd
It is with great sadness, I tell you that Jim died suddenly in the early evening of Monday 15 April 2013. This is, without doubt, a very sad time for me, his family and indeed for you, our loyal Phantom readers of many years here in Australia and all around the world.
Jim enjoyed a diverse and exciting career as a journalist, broadcaster and author, long before he met The Ghost Who Walks. Born 21 August 1933, Jim became a well-known and respected sports commentator, firstly in Sydney's newspaper circles, before branching out into radio, and later became the Sporting Director for Sydney's Channel 0 (later Channel 10) television station during 1964-1970.
As a journalist Jim covered a wide variety of sports, including Rugby League, Boxing, Soccer, Athletics, Golf, Tennis and Cycling. His encyclopaedic knowledge of sports and sports stars would serve him well for his next career. In 1974 he completed and wrote The Australian Sporting Almanac (Hamlyn 1974), the first of many successful sporting reference titles, he would write on behalf of other publishers as well as for his own book imprint, Sportsbook Publishing Co. These included The Encyclopaedia of Australian Sport, (Rigby 1979), Rothmans Australian Rugby Yearbook (Sportsbook 1983), Great Moments in Australian Sport (Angus & Robertson, 1987) and Big Rev Kev (Landsdowne,1983), the autobiography of Australian racing driver, Kevin Bartlett, was co-authored with Jim.
Motor racing remained a life-long passion for Jim who began racing stock cars on the local speedway dirt track circuit before progressing to Formula Two (2000 cc) road racing events.
Such was Jim's enthusiasm for the sport he wrote two books on the subject, A History of Australian Motor Sport (Sportsbook, 1980) and A History of Australian Speedway (Frew Publications, 2003) - indeed, Jim later delightedly declared that his Speedway book was a near total sell out!
Jim's involvement with The Phantom dates back to 1987 when Frew Publications surviving founders, Ron Forsyth and Lawford 'Jim' Richardson approached him for advice on how they could rejuvenate their Company's sole remaining comic book title. Jim came on board with The Phantom No 875 (1987) Old Baldy and steadily undertook incremental changes designed to improve the comic book. Such changes included reinstating the old Frew logo on the front cover along with the inclusion of the Phantom Forum letters page (No 917, 1988).
But arguably his greatest achievement was to commence reprinting unedited, original classic Lee Falk Phantom adventures from the 1930s and 1940s. Thus the beginning of the Frew 'renaissance'.
Similar to The Phantom The Ghost Who Walks—The Man Who Cannot Die, Jim, himself, was a legend to both the sporting community and Phantom World.
His life was a wonderful journey and I was fortunate to share part of my life with him. The Legend Lives On.
Sincerely Judith Shepherd, Senior Editor
[Reproduced with the kind permission of Judith Shepherd.]
Paper Trail
A gem from Cakeburger.
The Caravan of Comics makes it's way to the Fantagraphics bookstore and gallery this weekend for presentations and a screening of Graphic Novels! Melbourne!.
Caravan members recently guested on Dans Ta Bulle podcast.
Meredith Van Halen writes about decontextualisation on tumblr.
Tim Danko has a Pozible campaign for Tim Danko's Comic Book.
The steamrolling monster of Ladies Auxiliary Night at Squishface studios in Melbourne happens again at the end of this month with Ceili Braidwood and Lauren Hills and Sophie Parsons Cope (aka Soufex).
Have you looked at Moonbeard yet?
Parker and Emdin's Time Toilet.
Darien Zam writes about an obscure New Zealand confectionery brand.
Sarah Laing shares her recent contribution to the Nga Pakiwaituhi NZ comic exhibition.
Interview with Darren Koziol at The Australian Comics Journal.
Australian comics Kevin Patrick interview excerpt with the State Library of Victoria.
Frank and Becky are part of a kickstarter campaign to fund publication of a Capture Creatures hardcover.
Alice Online reviews Joshua Santospirito's The Long Weekend.
To round things out, a series of covers from Australia editions of Harvey Comics' Mazie from 1955. Mazie was published in Australia by three series from Magazine Management, Jubilee Publications and Approved Publications. Cover artwork is likely the work of prolific Harvey artist Warren Kremer (June 26, 1921 – July 24, 2003). Kremer was the creator of or helped refine many of the most well known Harvey characters, including Casper the Ghost, Hot Stuff, Joe Palooka, Little Audrey, Little Max, Richie Rich, and Stumbo the Giant.
Friday, May 17, 2013
Interview: Mat Tait
As part of the celebration of german composer Wagner’s bicentenary in 2013 The Goethe-Instituts around the globe have commissioned works to view the composer through the prism of the present day and age. The perspectives collected are personal, subjective, international and multimedia. New Zealand cartoonist Mat Tait has contributed a comic adaption of the opera The Flying Dutchman currently serialised in 13 or 14 parts every Tuesday at the My personal Wagner Blog. I asked Mat a few questions about this project via email.
When were you approached to take part in the My Personal Wagner project?
I was approached by Bettina Senff from the Goethe Institut towards the end of last year. From what I understand she saw my work in the NZ Comics and Graphic Novels book that Dylan Horrocks put together for the Frankfurt Book Fair.
Did you have much prior knowledge or interest in opera or Wagner specifically?
Almost none! I knew a little of Wagner's work, but probably as much as most people (I imagine), ie Ride of the Valkyries thanks to Apocalypse Now. So yeah, I was pretty ignorant.
Did you draw inspiration from anywhere in particular for your adaption? Particularly the use of large sweeping spreads with inset panels?
The inspiration for the format came mainly from the fact that the source material was intended for the stage, and it seemed to me that using large panels as analogues of stage sets or backdrops might be an interesting way to go. Also I'd been reading Chris Ware's Building Stories not long before and I think that definitely influenced me to be a little bit more formally daring than I would be usually.
Will your Flying Dutchman adaption eventually appear in paper form?
Yes; though this was commissioned as a web-based strip the intention was always to see it print at some point. I tend to envisage things in print in a kneejerk way even when doing something for the web. It's probably a fault and somewhat old-fashioned but I love print and can't help it.
Can you take us through your process for creating a page from this project?
I wrote a rough draft for the script then a more finished one before moving on to doing roughs of the page layouts and finally starting to do the finished pages, which constitute the final draft as I make a lot of changes as I go. I pencil and ink each page onto about A2 size paper, then do the inset panels, text and any other bits and pieces separately. All of that's then scanned and put together in Photoshop. It's a good way of working for me as I'm able to play with stuff on the page and see what is and isn't working, and then make changes relatively easily.
Will we see more of your collaborations with Mike Brown on New Zealand folklore tales in the Werewolf Cartoon alley?
Yes possibly, though we're looking for print venues at the moment. I think the next story, which is almost completed, will probably be in an upcoming issue of Faction. Beyond that we're not sure, though we have some options.
Artwork © Mat Tait.
Laughs - H.B.K. Hislop
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