Thursday, May 23, 2013

Paper Trail





Aaron Hawkins interviews Spencer Hall.


Melbourne launch for The Long weekend in Alice Springs at 8pm May 30th Readings, Carlton.


Nat Karmichael writes about the comics of his childhood and the 50th anniversay of the publication of John Dixon's Air Hawk.




Christian Pearce blog.




ENDLESS MANSION featuring Simon Hanselmann and HTML FLOWERS opens may 30th at galeria watdafac, Madrid, Spain. Pre-order catalogues here.



Danny Stanley comics.



Chromacon comic art competition winners.


Amy Louise Maynard reviews Mirranda Burton's Hidden.




 David C Mahler's My True Love (Not for Kiddies).


Good luck to Jason Chatfield this weekend hosting the 67th Annual Reuben Awards.

 
Elf-Fin Trailer.





Before they stuffed her in a yellow leotard and cat whiskers, Ruth Atkinson's creation, Patsy Walker was the star of popular teen comics. Here's a pile of Australia editions of Patsy Walker, all conforming to the A.G.P. teenage code of approved reading.










Paper Trail masthead courtesy of Toby Morris.

Heiress To Tangurau Part Three




Read part one of Heiress To Tangurau from Princess here, read part two here.






 

Monday, May 20, 2013

Interview: Dean Rankine

 

One of the friendliest cartoonists I've met in Melbourne scene, I've been pleased to see Dean Rankine prosper in recent years. Five years ago we both tabled at a sparsely attended comics fair in Melbourne with more tumbleweeds than public in attendance. The last year has seen Dean a regular guest at Australian conventions where he keeps his head down and his pen constantly moving to keep up with commission requests. Dean's profile has expanded substantially with regular gigs on the Bongo Comics' Simpson's titles and prolific contributions for various local and international publishers. Next week Dean attends his first of two conventions outside Australia with appearances at Armageddon in Hamilton and Auckland, I asked him a few questions via email late April.

Read Dean's Armageddon profile here.


When did you start creating comics?

I've basically drawn my whole life. I remember making my own comics as a kid. I don't recall actually finishing many of the stories. But I started a lot!
In recent years you've worked for various international publishers, at what phase of your career did you commence professional work? Do you still hold a day job outside of comics?

After high school I did an Art and Design course at TAFE in 1989/90. And I've basically freelanced since then. I've done okay but never made enough that I'd feel comfortable about quitting my 'day job'. So, for a number of years to support my comic creating addiction I've been a Community Development Worker. I've worked with homeless people, been a Drug and Alcohol counselor and for the past 12 years I've worked on a Needle/Syringe Outreach Program. Which basically means I drive around at night and hand out clean injecting equipment to injecting drug users. It's a job I really enjoy and can imagine continuing doing for sometime to come.
 
What has been a favorite piece of work from recent years?

That's a hard question. I really love doing work for Simpsons comics. And the more pages I do I feel I'm getting a better handle on the characters. Also earlier in the year I completed issue #1 of 'Itty Bitty Bunnies in Rainbow Pixie Candy'. Which was an absolute blast to do. And BTW appears to now have a publisher. So I'll keep you posted about how that pans out. 
Are you involved in any forms of cartooning communities? is this important to you?

It's rare that I get to any of the local comic meet-ups. But I enjoy it when I do. So my main interaction with comic peeps is over the interweb. And I cannot begin to tell you how important that is to me. The friendships I've made and the support I've received online over the years has been amazing. And to be honest I don't know how I'd cope without it.
 
Do you have any highlights from recent conventions you'd like to share?

Going out for tea together at the last Melbourne con was pretty good! 

But the last couple of cons have been fantastic! Being a guest has been cool. Because you score a free lunch and get to go to the 'green room' and having awkward conversations with famous people.

But my absolute favourite part is sketching for the punters who come up to my table and getting to see other comic creators in the flesh.
Have you been to New Zealand before?

No. I haven't. And I am super-stoked that Armageddon is giving me the chance to come over. I think the shows are going to be an absolute hoot! And I'm looking forward to just having some time to check the place out.

Sunday, May 19, 2013

Sunday Gem: Mandy Ord's City Tales


Mandy Ord's monthly comics at the Goethe -Institute City Tales blog.

Created by Mandy Ord ©Goethe -Institute

English Comics Diversion: Tiny Tots and The Sunbeam Oct 13th 1951







Kath King of Kismet Cove - Death -Down Deep





Kath King of Kismet Cove adventure comic by Phil Belbin and Sydney Ockenden from K. G. Murray magazine Cavalcade published September 1951.










Read Flash Cain -  House of Doom here.

Read Flash Cain - Killer at Hand here.

Read Kath KIng of Kismet Cove - Men of the Sickle Moon here.

Read Kath King - Memory for Faces here.

Read Kath King - Diamonds of Death here.

Read Belbin's adaption of RKO Movie Out of the Past here.

Samples of Belbin illustration work and cartoons here.

Read a biography of Belbin by Greg Ray here.
 
Images © 2013 Estate of Phil Belbin and Sydney Ockenden